Abstract
This essay examines Christian tropes in three queer texts: Radclyffe Hall's The Well of Loneliness (1928), E. Lynn Harris's Just As I Am (1994), and Franz Kafka's The Metamorphosis (1915). At issue are the linkages between queer theory and literature, on the one hand, and Christian paradigms, on the other hand. This essay considers whether, insofar as they deploy Christian tropes, these texts sustain a politics of the normal that inevitably subvert queer-positive representations.
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Breen, M.S. Radclyffe Hall, E. Lynn Harris, and Franz Kafka: Christianity, Queerness, and the Politics of Normalcy. International Journal of Sexuality and Gender Studies 6, 293–304 (2001). https://doi.org/10.1023/A:1012269209381
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DOI: https://doi.org/10.1023/A:1012269209381