Skip to main content
Log in

The Careers of Modern Artists

  • Published:
Journal of Cultural Economics Aims and scope Submit manuscript

Abstract

Using transactions from fine art auctionsfor 42 leading American contemporary artists Iestimate the relationship between the value of apainting and the artist's age at the date of itsexecution. The econometric estimates show that artistsborn before 1920 were likely to have produced theirmost valuable work late in their careers, whereasartists born in the 1920s and '30s were more likely tohave done their most valuable work at an early age.Comparison of these results to evidence drawn from arthistory textbooks and retrospective exhibitionsfurthermore indicates that these artists' mostvaluable work has also been that most highly regardedby scholars. I argue that the shift across generationsin the shape of these artists' age-price profiles wasa result of the evolution of modern painting and agrowth in the demand for contemporary American artduring the 1950s and '60s.

This is a preview of subscription content, log in via an institution to check access.

Access this article

Price excludes VAT (USA)
Tax calculation will be finalised during checkout.

Instant access to the full article PDF.

Similar content being viewed by others

References

  • Alloway, Lawrence (1972) William Baziotes: A Memorial Exhibition. Solomon R. Guggenheim, Foundation, New York.

    Google Scholar 

  • Alloway, Lawrence and MacNaughton, Mary Davis (1981) Adolph Gottlieb: A Retrospective. Arts Publisher, New York.

    Google Scholar 

  • Ashton, Dore (1972) The New York School. University of California Press, California.

    Google Scholar 

  • Ashton, Dore (1982) American Art Since 1945. Oxford University Press, New York.

    Google Scholar 

  • Bastian, Heiner (1992) Cy Twombly: Catalogue Raisonne of the Paintings. Schirmer, Mosel, Berlin.

    Google Scholar 

  • Baur, John I.H. (1957) Bradley Walker Tomlin. Macmillan, New York.

    Google Scholar 

  • Bernstock, Judith E. (1988) Joan Mitchell. Hudson Hills Press, New York.

    Google Scholar 

  • Bois, Yve-Alain (1991) Ad Reinhardt. Rizzoli, New York.

    Google Scholar 

  • Breeskin, Adelyn D. (1974) Tribute to Mark Tobey. Smithsonian Institution Press, Washington, D.C.

    Google Scholar 

  • Buck, Robert T. (1980) Richard Diebenkorn: Paintings and Drawings, 1943–1980. Albright Knox Art Gallery, Buffalo.

    Google Scholar 

  • Buck, Robert T. (1983) Robert Motherwell. Abbeville Press, New York.

    Google Scholar 

  • Carmean, E.A. (1989) Helen Frankenthaler: A Retrospective. Harry N. Abrams, New York.

    Google Scholar 

  • Clothier, Peter (1995) David Hockney. Abbeville, New York.

    Google Scholar 

  • Crane, Diana (1987) The Transformation of the Avant-Garde: The New York Art World, 1940–1985. University of Chicago Press, Chicago.

    Google Scholar 

  • Craven, Wayne (1994) American Art: History and Culture. Abrams, New York.

    Google Scholar 

  • De Antonio, Emile and Tuchman, Mitch (1984) Painters Painting. Abbeville Press, New York.

    Google Scholar 

  • De Wilde, Edy (1982) Robert Mangold. Stedelijk Museum, Amsterdam.

    Google Scholar 

  • Fried, Michael (1965) Three American Painters. Fogg Art Museum, Cambridge.

    Google Scholar 

  • Fried, Michael (1967) Morris Louis, 1912–1962. Museum of Fine Arts, Boston.

    Google Scholar 

  • Geldzahler, Henry (1969) New York Painting and Sculpture: 1940–1970. E.P. Dutton, New York.

    Google Scholar 

  • Goodman, Cynthia (1990) Hans Hofmann. Prostel-Verlag, Munich.

    Google Scholar 

  • Gordon, John (1968) Franz Kline. Whitney Museum, New York.

    Google Scholar 

  • Gottlieb, Adolph (1954) “The Artist and the Public”. Art in America 42: 267–271.

    Google Scholar 

  • Greenberg, Clement (1986) The Collected Essays and Criticism, Volume 1. University of Chicago Press, Chicago.

    Google Scholar 

  • Greenberg, Clement (1993a) The Collected Essays and Criticism, Volume 2. University of Chicago Press, Chicago.

    Google Scholar 

  • Greenberg, Clement (1993b) The Collected Essays and Criticism, Volume 3. University of Chicago Press, Chicago.

    Google Scholar 

  • Haden-Guest, Anthony (1996) True Colors: The Real Life of the Art World. Atlantic Monthly Press, New York.

    Google Scholar 

  • Haenlien, Carl (1980) Larry Rivers: Retrospective. Kestner-Gesellschaft, Hannover.

    Google Scholar 

  • Hess, Thomas B. (1971) Barnett Newman. Museum of Modern Art, New York.

    Google Scholar 

  • Hopkins, Henry T. (1980) Philip Guston. George Braziller, New York.

    Google Scholar 

  • Hulten, Pontus (1993) Sam Francis. Edition Cantz, Bonn.

    Google Scholar 

  • Jensen, Alfred (1978) Alfred Jensen: Paintings and Diagrams from the Years 1957–1977. Albright-Knox Gallery, Buffalo.

    Google Scholar 

  • Kertess, Klaus (1992) Brice Marden. Abrams, New York.

    Google Scholar 

  • Le Guide Mayer (annual). Sylvio Acatos, Lausanne.

  • McShine, Kynaston (1989) Andy Warhol: A Retrospective. Museum of Modern Art, New York.

    Google Scholar 

  • Messer, Thomas M. (1985) Alfred Jensen: Paintings and Works on Paper. Solomon R. Guggenheim Museum, New York.

    Google Scholar 

  • McKinzie, Richard D. (1973) The New Deal for Artists. Princeton University Press, Princeton.

    Google Scholar 

  • Moffett, Kenworth (1973) Jules Olitski. Museum of Fine Arts, Boston.

    Google Scholar 

  • Moffett, Kenworth (1982) Fairfield Porter (1907–1975). Museum of Fine Arts, Boston.

    Google Scholar 

  • O'Connor, Francis V. (1967) Jackson Pollock. Museum of Modern Art, New York.

    Google Scholar 

  • O'Neill, John P. (1979) Clyfford Still. Metropolitan Museum of Art, New York.

    Google Scholar 

  • O'Neill, John P. (1990) Barnett Newman: Selected Writings and Interviews. Alfred A. Knopf, New York.

    Google Scholar 

  • Prather, Marla (1994) Willem de Kooning. Yale University Press, New Haven.

    Google Scholar 

  • Ratcliff, Carter (1996) The Fate of a Gesture: Jackson Pollock and Postwar American Art. Farrar, Straus, Giroux, New York.

    Google Scholar 

  • Rose, Barbara (1969) American Painting: The 20th Century. Shira, Geneva.

    Google Scholar 

  • Rubin, William S. (1970) Frank Stella. Museum of Modern Art, New York.

    Google Scholar 

  • Russell, John (1981) The Meanings of Modern Art. Harper and Row, New York.

    Google Scholar 

  • Sandler, Irving (1970) The Triumph of American Painting: A History of Abstract Expressionism. Praeger, New York.

    Google Scholar 

  • Sandler, Irving (1978) The New York School: The Painters and Sculptors of the Fifties. Harper and Row, New York.

    Google Scholar 

  • Sawin, Martica (1995) Surrealism in Exile and the Beginning of the New York School. MIT Press, Cambridge.

    Google Scholar 

  • Seitz, William C. (1962) Arshile Gorky. Doubleday, New York.

    Google Scholar 

  • Seitz, William C. (1992) Art in the Age of Aquarius, 1955–1970. Smithsonian Institute, Washington.

    Google Scholar 

  • Singer, Susanna (1992) Sol LeWitt Drawings, 1958–1992. Haags Gemeentemuseum, The Hague.

    Google Scholar 

  • Simonton, Dean Keith (1988) Scientific Genius. Cambridge University Press, Cambridge.

    Google Scholar 

  • Steinberg, Leo (1972) Other Criteria: Confrontations with Twentieth-Century Art. Oxford University Press, London.

    Google Scholar 

  • Storr, Robert (1993) Robert Ryman. Tate Gallery, London.

    Google Scholar 

  • Tuchman, Maurice and Barron, Stephanie (1988) David Hockney: A Retrospective. Los Angeles County Museum of Art, Los Angeles.

    Google Scholar 

  • Tsujimoto, Karen (1985) Wayne Thiebaud. University of Washington Press, Seattle.

    Google Scholar 

  • Van den Brande, R.H. (1971) Mark Rothko. Museum Boymans-van Beuningen, Rotterdam.

    Google Scholar 

  • Varnedoe, Kirk (1994) Cy Twombly: A Retrospective. Museum of Modern Art, New York.

    Google Scholar 

  • Varnedoe, Kirk (1996) Jasper Johns: A Retrospective. Museum of Modern Art, New York.

    Google Scholar 

  • Waldman, Diane (1965) Josef Albers: A Retrospective. Solomon R. Guggenheim Museum, New York.

    Google Scholar 

  • Waldman, Diane (1977) Kenneth Noland: A Retrospective. Solomon R. Guggenheim Foundation, New York.

    Google Scholar 

  • Waldman, Diane (1993) Roy Lichtenstein. Guggenheim Museum, New York.

    Google Scholar 

  • Waldman, Diane (1996) Ellsworth Kelly: A Retrospective. Guggenheim Museum, New York.

    Google Scholar 

  • Watson, Peter (1992) From Manet to Manhattan: The Rise of the Modern Art Market. Random House, New York.

    Google Scholar 

  • Weitman, Wendy (1996) Sol LeWitt 1970–1995. Museum of Modern Art, New York.

    Google Scholar 

Download references

Authors

Rights and permissions

Reprints and permissions

About this article

Cite this article

Galenson, D.W. The Careers of Modern Artists. Journal of Cultural Economics 24, 87–112 (2000). https://doi.org/10.1023/A:1007590329233

Download citation

  • Issue Date:

  • DOI: https://doi.org/10.1023/A:1007590329233

Navigation