Journal of Cultural Economics

, Volume 22, Issue 4, pp 287–289

Michael H. Kater, The Twisted Muse: Musicians and Their Music in the Third Reich

  • Bryan Caplan
Article
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References

  1. Ashenfelter, O. (1989) “How Auctions Work for Wine and Art”. Journal of Economic Perspectives 3(3): 23–36.Google Scholar
  2. Baumol, W. and Bowen, W. (1966) Performing Arts: The Economic Dilemma. New York: Twentieth Century Fund.Google Scholar
  3. Cowen, T. and Tabarrok, A. (1998) “An Economic Theory of Avant-Garde and Popular Art, or High and Low Culture”. Working Paper.Google Scholar
  4. Peacock, A. and Godfrey, C. (1974) “The Economics of Museums and Galleries”. Lloyds Bank Review 111: 17–28.Google Scholar
  5. Rosen, S. (1981) “The Economics of Superstars”. American Economic Review 71(5): 845–58.Google Scholar

Copyright information

© Kluwer Academic Publishers 1998

Authors and Affiliations

  • Bryan Caplan

There are no affiliations available

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