Skip to main content
Log in

Evidence on the Performance of Canada/Europe Co-productions in Television and Film

  • Published:
Journal of Cultural Economics Aims and scope Submit manuscript

Abstract

International co-production has become an increasingly important mode for television programs and film. In this paper we report the results of a survey on partner perceptions of performance in Canada/Europe co-productions. In particular we examine whether expectations that the general experience is positive and that Canadian and European partners have similar assessments of the level of performance, are justified. Our survey evidence does support the hypothesis that in total the experience is positive. However, it appears this is only the case because a good creative artistic performance more than outweighs a less than satisfactory total project recoupment. The hypothesis that Canadian and European partners have similar perceptions of performance is not borne out. Generally, Canadian partners seem more satisfied than European, particularly French.

This is a preview of subscription content, log in via an institution to check access.

Access this article

Price excludes VAT (USA)
Tax calculation will be finalised during checkout.

Instant access to the full article PDF.

Similar content being viewed by others

References

  • Co-production International (1995) Co-production International 95. London.

  • CNC (1991) CNC info, No. 235, May: 8.

  • Harrigan, K. (1988) “Strategic Alliances and Partner Asymmetries”. Management International Review, Special Issue on Cooperative Issues in International Business, 28: 53–72.

    Google Scholar 

  • Hoskins, C. and McFadyen, S. (1993) “Canadian Participation in International Co-productions and Co-ventures in Television Programming”. Canadian Journal of Communication 18(2): 219–236.

    Google Scholar 

  • Hoskins, C., McFadyen, S., Finn, A. and Jackel, A. (1995) “Film and Television Coproduction: Evidence from Canadian-European Experience”. European Journal of Communication 10(2): 221–243.

    Google Scholar 

  • Screen Finance (1994) “Screen Finance Analysis of European Feature Films Planned and in Production”. July 27: 12–17.

  • TBI (1994) “Canada: Getting Along With the Rest of the World”. Television Business International June: 19–26.

  • Telefilm Canada (1989) Telefilm Canada Annual Report 1988–89. Communications Department, Montreal.

    Google Scholar 

  • Telefilm Canada (1990) Telefilm Canada Annual Report 1989–90. Communications Department, Montreal.

    Google Scholar 

  • Telefilm Canada (1991) Telefilm Canada Annual Report 1990–91. Communications Department, Montreal.

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Rights and permissions

Reprints and permissions

About this article

Cite this article

Hoskins, C., McFadyen, S., Finn, A. et al. Evidence on the Performance of Canada/Europe Co-productions in Television and Film. Journal of Cultural Economics 21, 129–138 (1997). https://doi.org/10.1023/A:1007443326013

Download citation

  • Issue Date:

  • DOI: https://doi.org/10.1023/A:1007443326013

Navigation