Advertisement

Neohelicon

, Volume 27, Issue 1, pp 159–168 | Cite as

Matoš an der Jahrhundertwende

  • Aleksandar Flaker
Article

Abstract

The Croatian essayist and poet Antun Gustav Matoš visited during his exile in Paris 1900 the World Exposition. He informed the Croatian reader about the different aspects and events and discussed the main trends in art of that time in a serial of essays: Impressions from the Paris Exhibition for a Zagreb newspaper. He was impressed by the globality of the event, evaluated the rising of hitherto "trivial" art in painting (posters by Toulouse-Lautrec, Alfons Mucha), dance (Loie Fuller), and (African) music, admired the new relationship between literature and journalism, emphasized the role of caricature in arts (Daumier) and literature. The new century opened also in his opinion new relations between art and work, art and industry.

Keywords

Comparative Literature Main Trend World Exposition 
These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

LITERATUR

  1. Gosling, N. (1980). Paris 1900–1914. München: Südwest. (Engl. Original: London: Weidenfeld, Nicolson, 1972.)Google Scholar
  2. Matoš, A. G. (1973). Sabrana djela III. Zagreb: Liber/Mladost.Google Scholar

Copyright information

© Kluwer Academic Publishers 2000

Authors and Affiliations

  • Aleksandar Flaker
    • 1
  1. 1.Filozofski fakultetSveučilišta u ZagrebZagrebCroatia

Personalised recommendations