Skip to main content
Log in

Fake News in Media Art: Fake News as a Media Art Practice Vs. Fake News in Politics

  • Original Articles
  • Published:
Postdigital Science and Education Aims and scope Submit manuscript

Abstract

Fake news has become popular in the last few years and appears mainly in the form of alleged news articles that spread via social media or as satire. However, fake news can appear in two additional manifestations: in politics—when falsehoods are generated by politicians; and as a practice of media art—by the activist-art branch ‘tactical media’. From the perspective of media art history, this article presents a comparative analysis of two case studies of each of these domains: the political case was a false statement about the 2017 tax bill by US president Donald Trump, and the media art case was a false statement on BBC television in 2004 regarding corporate responsibility for the Bhopal industrial disaster, acted by the art duo The Yes Men. The cases were compared for their tactics, motivations, purposes and rhetoric. The most salient difference reveals the producers’ relation to truth: while in a ‘post-truth’ manner Trump ‘bullshitted’, distorted facts and disregarded truth, the Yes Men emphasized facts and exposed truth. This article concludes that fake news in politics is dangerous and that fake news in media art has an educational potential to fight fake news and promote critical deliberation.

This is a preview of subscription content, log in via an institution to check access.

Access this article

Subscribe and save

Springer+ Basic
$34.99 /Month
  • Get 10 units per month
  • Download Article/Chapter or eBook
  • 1 Unit = 1 Article or 1 Chapter
  • Cancel anytime
Subscribe now

Buy Now

Price excludes VAT (USA)
Tax calculation will be finalised during checkout.

Instant access to the full article PDF.

Fig. 1
Fig. 2
Fig. 3
Fig. 4

Similar content being viewed by others

Explore related subjects

Discover the latest articles, news and stories from top researchers in related subjects.

Notes

  1. A newspaper article about Georg Paul Thomann representing Austria is archived here [in German]: http://www.monochrom.at/thomann/archiv/thomann-presse-19-02-2002.jpg.

  2. To read the full newspaper go to http://nytimes-se.com/todays-paper/NYTimes-SE.pdf.

  3. Transcribed from the opening of The Apprentice (2004): https://www.youtube.com/watch?v=jx9cMuMb2pk.

  4. Donald Trump’s Twitter@realDonaldTrump, 25 October 2017, 04:35 AM.

  5. Donald Trump’s Facebook, Donald J. Trump, 2 December 2017.

  6. Donald Trump’s Twitter @realDonaldTrump, 19 December 2017, 10:09 PM.

  7. To watch Servin’s interview on Channel 4 search for FLASHBACK: The Yes Men Explains Dow Chemical/Bhopal Disaster Prank (2004) on YouTube.

  8. To read the full newspaper go to https://democracyawakensinaction.org/static/img/unpresidented-washington-post.pdf.

References

Download references

Acknowledgements

This work was written with the professional support of Prof. Dr. Ana Peraica and Dr. Alison MacKenzie.

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Hadas Emma Kedar.

Rights and permissions

Reprints and permissions

About this article

Check for updates. Verify currency and authenticity via CrossMark

Cite this article

Kedar, H.E. Fake News in Media Art: Fake News as a Media Art Practice Vs. Fake News in Politics. Postdigit Sci Educ 2, 132–146 (2020). https://doi.org/10.1007/s42438-019-00053-y

Download citation

  • Published:

  • Issue Date:

  • DOI: https://doi.org/10.1007/s42438-019-00053-y

Keywords

Navigation