Skip to main content
Log in

The Search for Excellence in Auditorium Acoustics

  • Original Paper
  • Published:
Acoustics Australia Aims and scope Submit manuscript

Abstract

The scientific approach to room acoustics is now well over a hundred years old. Yet two concert halls from the nineteenth century (the Musikvereinssaal, Vienna of 1870 and the Concertgebouw, Amsterdam of 1888) are still viewed as among the best in the world, as is the first product of a scientific approach (Boston Symphony Hall, Massachusetts of 1900). Has a century of research and building new auditoria failed to make any progress? One is reminded of the situation with violins, modern violin makers fight to compete with the reputation of Stradivarius’ violins built 300 years ago. With auditorium acoustics, the search has been long, with bursts of activity at certain times often in response to new experimental techniques. Considerable progress has been made but the search is not over. This article hopes to elaborate on the challenges involved.

This is a preview of subscription content, log in via an institution to check access.

Access this article

Price excludes VAT (USA)
Tax calculation will be finalised during checkout.

Instant access to the full article PDF.

Institutional subscriptions

Fig. 1

Similar content being viewed by others

References

  1. Ando, Y.: Concert Hall Acoustics. Springer, New York (1985)

    Book  Google Scholar 

  2. Atal. B.S., Schroeder, M.R., Sessler, G.M.: Subjective reverberation time and its relation to sound decay. In: Proc. 5th Int Congress on Acoustics, Liège, Paper G32 (1965)

  3. Barron, M.: Auditorium Acoustics and Architectural Design, 2nd edn. Spon Press, London (2010)

    Google Scholar 

  4. Barron, M., Marshall, A.H.: Spatial impression due to early lateral reflections in concert halls: the derivation of a physical measure. J. Sound Vib. 7, 11–232 (1981)

    Google Scholar 

  5. Beranek, L.L.: Music, Acoustics and Architecture. Wiley, New York (1962)

    Google Scholar 

  6. Beranek, L.L.: Concert Halls and Opera Houses: Music, Acoustics and Architecture, 2nd edn. Springer, New York (2004)

    Book  Google Scholar 

  7. Bradley, J.S., Soulodre, G.A.: Objective measures of listener envelopment. J. Acoust. Soc. Am. 98, 2590–2597 (1995)

    Article  Google Scholar 

  8. Dammerud, J.J.: Stage acoustics for symphony orchestras in concert halls. Ph.D thesis http://stageac.wordpress.com/phd/ (2009)

  9. Davy, J.L., Dunn, I.P., Dubout, P.: The variance of decay rates in reverberation rooms. Acustica 43, 12–25 (1979)

    MATH  Google Scholar 

  10. Gade, A.C.: Investigations on musicians’ room acoustic conditions in concert halls, I: methods and laboratory experiments. Acustica 69, 193–203 (1989a)

    Google Scholar 

  11. Gade, A.C.: Investigations on musicians’ room acoustic conditions in concert halls, II: field experiments and synthesis of results. Acustica 69, 249–262 (1989b)

    Google Scholar 

  12. Haan, C.H., Fricke, F.R.: Statistical investigation of geometrical parameters for the acoustic design of auditoria. Appl. Acoust. 35, 105–127 (1992)

    Article  Google Scholar 

  13. Haas, H.: Über den Einfluss eines Einfachechos auf die Hörsamkeit von Sprache. Acustica 1, 49–58 (1951)

    Google Scholar 

  14. Hawkes, R.J., Douglas, H.: Subjective acoustic experience in concert auditoria. Acustica 24, 235–250 (1971)

    Google Scholar 

  15. Lokki, T.: Tasting music like wine: sensory evaluation of concert halls. Phys. Today 67(1), 27–32 (2014)

    Article  Google Scholar 

  16. Marshall, A.H.: A note on the importance of room cross-section in concert halls. J. Sound Vib. 5, 100–112 (1967)

    Article  Google Scholar 

  17. Marshall, A.H.: Acoustical design and evaluation of Christchurch Town Hall, New Zealand. J. Acoust. Soc. Am. 65, 951–957 (1979)

    Article  Google Scholar 

  18. Marshall, A.H., Hyde, J.R.: Some preliminary acoustical considerations in the design for the proposed Wellington (New Zealand) Town Hall. J. Sound Vib. 63, 201–211 (1979)

    Article  Google Scholar 

  19. Pätynen, J., Pulkki, V., Lokki, T.: Anechoic recording system for symphony orchestra. Acta. Acust. United Acust. 94, 856–865 (2008)

    Article  Google Scholar 

  20. Plenge, G., Lehmann, P., Wettschureck, R., Wilkens, H.: New methods in architectural investigations to evaluate the acoustic qualities of concert halls. J. Acoust. Soc. Am. 57, 1292–1299 (1975)

    Article  Google Scholar 

  21. Reichardt, W., Abdel Alim, O., Schmidt, W.: Definition und messgrundlage eines objektiven masses zur ermittlung der grenze zwischen brauchbarer und unbrauchbarer durchsichtigkeit bei musikdarbietung. Acustica 32, 126–137 (1975)

    Google Scholar 

  22. Richardson, E.G., Meyer, E.: Technical Aspects of Sound, vol. III. Elsevier, New York (1962)

    Google Scholar 

  23. Schultz, T.J., Watters, B.G.: Propagation of sound across audience seating. J. Acoust. Soc. Am. 36, 885–896 (1964)

    Article  Google Scholar 

  24. Schroeder, M.R., Gottlob, D., Siebrasse, K.F.: Comparative study of European concert halls: correlation of subjective preference with geometric and acoustic parameters. J. Acoust. Soc. Am. 56, 1195–1201 (1974)

    Article  Google Scholar 

  25. Schroeder, M.R.: Binaural dissimilarity and optimum ceilings for concert halls: more lateral diffusion. J. Acoust. Soc. Am. 65, 958–963 (1979)

    Article  Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Mike Barron.

Rights and permissions

Reprints and permissions

About this article

Check for updates. Verify currency and authenticity via CrossMark

Cite this article

Barron, M. The Search for Excellence in Auditorium Acoustics. Acoust Aust 43, 25–31 (2015). https://doi.org/10.1007/s40857-015-0012-9

Download citation

  • Received:

  • Accepted:

  • Published:

  • Issue Date:

  • DOI: https://doi.org/10.1007/s40857-015-0012-9

Keywords

Navigation