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“The Penitent Magdalene”: Tiziano Vecellio (1488/1490–1576)

  • Endocrinology & Art
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Fig. 1

References

  1. Hills P (2007) Titian’s fire: pyrotechnics and representations in sixteenth-century Venice. Oxford Art J 30(2):185–204

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  2. Hopes C (1979) Titian as a Court Painter. Oxford Art J 2(2):7–10

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Authors and Affiliations

  1. Department of Plastic and Reconstructive Surgery, University of Rome “Tor Vergata”, Rome, Italy

    F. Nicoli

  2. Plastic Reconstructive and Aesthetic Surgery, Villa Salaria Clinic, Rome, Italy

    F. Nicoli & D. Lazzeri

  3. Department of Endocrinology and Diabetes, University Campus Bio-Medico, Rome, Italy

    P. Pozzilli

Authors
  1. F. Nicoli
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  2. P. Pozzilli
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  3. D. Lazzeri
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Corresponding author

Correspondence to D. Lazzeri.

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This article is a review of the literature and does not contain any studies with human participants or animals performed by any of the authors.

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Nicoli, F., Pozzilli, P. & Lazzeri, D. “The Penitent Magdalene”: Tiziano Vecellio (1488/1490–1576). J Endocrinol Invest 39, 835–836 (2016). https://doi.org/10.1007/s40618-016-0436-6

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  • DOI: https://doi.org/10.1007/s40618-016-0436-6

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