Introduction

Learning in kindergarten is the basis for acquiring different concepts and skills, and the kindergarten stage is the stage of character building and development in all aspects of (mental–cognitive), (physical–motor), (psychological–emotional) and (social). Hearing is one of the first senses that a child uses in communicating with the world around him. This stage is associated with the so-called sensory reception stage. The child can distinguish between sounds in terms of similarity and difference, and through these sounds, he expresses himself in different situations such as laughter and crying. Hearing also develops sensory and motor perception and improves speech and language (Peery et al., 2012). If music has been introduced into the child’s world with its different sounds, movements and colors, then the musical rhythm enters this world with greater force because it is a major component of the music as it is concerned with the temporal split in music. It organizes the musical sounds and divides the times into an orderly division with a meaning that varies in length. The palace is relatively different and also defines the melodies in terms of speed and slowness, and this gives the time value of the absolute for the rhythmic symbols of different forms (Campbell & Scott-Kassner, 2018; Galda et al., 2016). Early childhood specialists believe that the musical nature of children is important in providing experiences that nurture esthetic development and music and movement activities are one of the dimensions of quality early in life. Childhood programs include many music materials accessible to every child and excellent programs provide daily group music activities (Bond, 2015; Harms et al., 2014). Copple and Bredekamp (2009) found that children by nature tend to integrate movement with music, especially in the preschool classroom. Given its importance in children's development and learning, researchers have rigorously studied playing, and many teachers have used it as a classroom tool. Music researchers have observed that music regularly accompanies children’s play because music is part of their culture, and “playing with music” is the most natural form of expression of their existence as musical beings. Hence, play is at the heart of early childhood music, and music teachers design activities that are playful using manipulative, instruments, movements, and musical sounds to engage children. However, scant research has explored the types of play enacted in guided music settings and how children construct musical understanding through play. This article discusses children's play and related theories, illustrates how children “play with music” in the guided music setting, and offers practical applications of play in guided music activities. Children tend to listen to the songs and chants that he praises, as it evokes their emotional feelings through the patterns of behavior that the songs and chants introduce (Williams et al., 2015). Songs have a variety of characteristics that relate to musical concepts (Peery et al., 2012). The different senses are the outlets of knowledge and learning for the kindergarten child, so kindergarten curricula focus on learning with the experience that the child experiences during the practice of various educational activities, and musical activities of different types come from the most important of these activities that are attractive to the child, and that the child accepts Exercise and repeat.

Therefore, the kindergarten stage is considered one of the fertile stages for teaching different skills, because the child at this stage enjoys repetition of doing any work without feeling bored. He also tends to be adventurous, which makes him free to perform the tasks that set him without getting bored, and children learn to move more skillfully while performing their natural movements, such as walking, running and jumping. They also learn stability skills such as how to balance all around and control skills such as throwing and jumping. Children do more than just movement while playing games and it has been proven that musical activities can help them perform basic and non-essential movements, in addition to that movement is an important means of expression used by humans to express their desires and feelings, and it is an innate instinct that they have acquired since birth. In fact, human development is closely related to motor development, and bodily movement is a mental experience, in addition to that movement stimulates the heart, mind and body, and it cannot be taught in the proper sense without the use of physical movements as a means to that in the executive function, and disabled children have shown a deficit in the perception of rhythm (Lesiuk, 2015), suggesting that there may be underlying neural mechanisms involved in self-regulation and rhythm perception. There is strong potential for improving children's rhythm synchronization skills with self-regulatory problems (Slater & Tate, 2018; Srinivasan & Bhat, 2013) and formal music training has also been associated with improved executive and neuronal flexibility. There is a so-called musician’s advantage (George & Koch, 2011; Luo et al., 2012). This feature is thought to result from the improvement of the neural networks involved in rhythm perception and parallel musical perception. Music education from the age of 5 years or younger was found to have better skills in the executive functions of the child’s motor control organs (Joret et al., 2017).

Theoretical Underpinning

There is a need to pay attention to the fine motor coordination of children between the ages of 4–6 years through participation in daily academic activities (Joret et al., 2017). Despite the importance of motor skills, we found that some children at this stage perform these craft tasks and some of these tasks are difficult (Holm et al., 2012). Some studies have confirmed this difficulty in some children while performing some motor tasks, as well as difficulty in motor coordination and control of body movements, which are crucial in performing the daily tasks in the child’s life (Kwan et al., 2013; Mitsiou et al., 2016). Among the motor skills that appear in some children in their difficult performance of transitional and non-transitional movements, and motor skills that are uncoordinated and inaccurate are the ball, running at a regular speed, and skating(American Psychiatric Association, 2013). Some studies confirmed that changing the effects associated with the motor skill stimulates motor performance and helps to learn a new skill (Braun et al., 2009; Wymbs et al., 2016). In contrast, we found that the rhythmic changes during the practice of motor tasks necessarily affect the regularity of timing in the performance of the skill (Maes et al., 2015; Zelaznik et al., 2002). The use of auditory stimulation using rhythmic musical cues has been successfully confirmed by Bella et al. (2015; 2018) in the rehabilitation of motor function in patients with movement disorders of idiopathic Parkinson’s disease (PD), coupling steps with external rhythmic cues for walking speed and stride length. Also, it has been proved that the effects of fluctuation and difference in rhythm during practice may have different effects, as the current study examined the differences in the effect of changes in rhythm during training on timing and skill learning (Caramiaux et al., 2018). The age of walking for a child is important in his motor development, as walking is linked to measures of motor efficiency such as balance, throwing, running and skating (Perreault et al., 2020). It is also associated with various other important development outcomes such as executive functions and important adaptive behaviors (Dammeyer, 2012; Hartshorne et al., 2007). Developing motor skills and a lifestyle are critical to ensuring that children to reach their potential for full participation in school and society (Doyon et al., 2002). And some of the results of recent studies, including the study (Devlin et al., 2019) that uses music, demonstrated the importance of rhythm for poor gait, other motor symptoms and their disturbance, and non-motor symptoms in Parkinson’s disease (PD). As confirmed by (Da Silva et al., 2021; Dreu et al., 2012) that using auditory cues with music is beneficial for people with Parkinson’s disease (PD), improving functional balance of cognition, muscle strength, balance and physical activity with an emphasis on enjoyment of music rather than the patient’s existing movement limitations. The effectiveness of educational songs has been reported to complement traditional teaching of subjects such as mathematics, sciences, and English (Kocaba 2009, Crowther, 2012 and Lems, 2018). Developing motor skills and a lifestyle are critical to ensuring that children reach their potential for full participation in school and society(Hales et al., 2017), as well as the use of music in nutritional education programs for children and ad (Kim & Kim, 2012). As confirmed by Skejaa (2014), he stated that linking music therapy with a cognitive intervention program helps children with learning difficulties to move forward in various fields. (Bella et al., 2018) also confirmed that gait disturbances in Parkinson’s disease are partially mitigated by rhythmic auditory cues. This consists in asking patients to walk using a rhythmic auditory stimulus such as a metronome or music. The effect on walking is seen immediately in terms of increased speed and stride length. So, they concluded that rhythmic training programs can have long-term benefits. Therefore, it must be emphasized that the best teachers should be chosen from the teachers who have come forward to teach children in the field of music, in order to teach it in a sound educational manner. (Ballantyne & Grootenboer, 2012), especially with the category of people with special needs, including the category of Down syndrome (DS), as this child is caused by the presence of a partial or complete extra chromosome 21. This increase in genetic material affects the child in various aspects, including physical, mental and social development, and it also causes impairment in the sensory-motor perception of these children in relation to their peers, and there is difficulty about the best ways to identify and design programs that can increase the capabilities of individuals who suffer of DS and their increased participation in physical activity, and the acquisition of motor competence (Latash, 2000). This is confirmed by some studies that children with DS have problems Controlling the motor aspects when performing them. These children need a lot of activities to overcome motor difficulties (Heath et al., 2000). In addition to what some studies have indicated, opportunities to learn motor skills are enjoyable through the use of music and rhythm and stimulate the motor performance of children with DS, which results in their development of their bodies as well as communication with their peers (Virji-Babul et al., 2004). This confirms that training programs that rely on play and motor activities are the most appropriate ways to help the child develop basic motor skills (Kita et al., 2016). The motor activities associated with musical rhythms have the ability to build neural pathways and brain connections linked to self-regulation, which helps the child to keep time while performing motor skills, coinciding with the speed of the audible rhythm (Williams, 2018). Also, there is an emphasis on the ability to keep time by moving to the rhythm of a certain music (Thompson et al., 2015) Therefore, it is important in the current study to find out whether there is a significant difference regarding the performance of some motor skills of children with DS when they are exposed to the rhythmic program of music.

Significance of the Study

Research Importance

The results of the current research may open the way for later studies of new methods and methods to help children with Down syndrome developing different skills in them using different branches of musical activities. It may also benefit the current research in the development of some motor skills of the kindergarten child.

The current research draws the attention of kindergarten workers and specialists to the importance of using musical activities in developing the different skills of a kindergarten child with special needs. Where this study deals with an important axis, which is how to employ musical activities to help a child with Down syndrome in the development of various motor skills, as the use of musical activities is no longer dependent on the entertainment aspect only, but has become an important educational tool to achieve the educational goals of that stage. It also has an important role in developing his esthetic sense, listening skill and language, in addition to its dual composition (melody–rhythm), and this duality has the ability to activate aspects of the child's growth and raise and develop his skill abilities.

The current study provides answers to the following questions:

  1. 1.

    What are the appropriate motor concepts for a child with Down syndrome?

  2. 2.

    What are the musical rhythms used to develop some motor skills for a child with Down syndrome?

The research hypotheses are as follows:

  1. 1.

    There are no statistically significant differences between the average scores of individuals (the experimental group) and the average scores of individuals (the control group) before the application of the musical program based on the group of rhythmic musical melodies in the tribal measurement of the application of the program.

  2. 2.

    There are statistically significant differences between the average scores of the experimental group members (before/after) application of the musical program to develop motor skills in favor of the post-measurement.

The current work aims to:

  1. 1.

    Verifying the effectiveness of musical melodies in developing some motor concepts for children with Down syndrome.

  2. 2.

    Develop some motor concepts for a child with Down syndrome.

  3. 3.

    Preparing a scale of motor skills for a child with Down syndrome.

  4. 4.

    Preparing a group of musical melodies to develop some of the motor skills of a child with Down syndrome.

Method

Participants

Initially, one of the specialized centers for children with Down syndrome in Giza was chosen. The age of the children ranged from 4 to 6 years old, and the research sample was randomly selected and the sample consisted of 20 boys and girls and they were divided into two groups, an experimental group consisting of 7 girls and 3 males, and its average chronological age was 5 years and 7 months, and a group A control group consisting of 6 girls and 4 boys, with an average age of 5 years and 9 month. The research tools (observation card–scale) were firstly applied to the control and experimental groups, then the proposed musical program was applied to the experimental group, and some pictures were taken of them during the application (Fig. 1) and then after the completion of the program application, the research tools were re-applied; then, the difference between the two applications was tested statistically.

Fig. 1
figure 1

Some pictures of the search application

Materials

For the purpose of this study, a list of children’s motor skills was identified and presented to specialists to determine the appropriate motor skills for the characteristics of the age sample (Table 1). After that, a measure of motor skills was designed to be applied with the help of a specialist in physical education, in addition to a note card for motor skills. The researcher also prepared and designed a rhythmic music program, and the program included 20 sessions that included a set of motor skills necessary for a child with Down syndrome Tables 2, 3, 4 and 5.

Table 1 List of motor skills for a kindergarten children
Table 2 the description of the first activity
Table 3 the description of the second activity
Table 4 the description of the third activity
Table 5 the description of the fourth activity

Validity of Research Tools

The research tools were validated by ten new experts in the field of movement education whose role was to confirm whether the content of the scale and note card was accurate and appropriate in terms of language clarity, to check the relevance of each situation, the importance of research objectives, the relevance of the time allotted to the scale, and to present Any additional comments or corrections. The changes they indicated have been incorporated. For example, experts have suggested that some of the motor skills included in the motor scale can be omitted due to difficulty in performing them for a child with Down syndrome, as well as reducing some items on the note card and paraphrasing some statements.

Statistical Analysis

Data collected from the pretests and posttests were analyzed using analysis of covariance (ANCOVA) with posttest as the dependent variable, applied program as independent variable and pretest as the covariate. The homogeneity of variances and regression slopes were verified using Spss program (spss, V. 18, 2009). Only the variances of dependent factor ”throwing” were heterogeneous between two groups, so its data were adjusted by square root transformation. But because of similarity of results before and after transformation, the data were analyzed by the original values.

Study Procedure

The researcher prepared a list of motor skills and presented it to the arbitrators to choose the appropriate ones for these children. After the presentation, the appropriate skills were identified and put into Table 1.

Suggested Music Program

The researcher prepared a kinetic music program that includes a variety of musical activities to help children with Down syndrome to develop their motor skills. The program included 20 sessions and four of them are shown in Tables 2, 3, 4 and 5.

Results

Differences Between Scores of the Observation Card

The results in Table 6 showed that the values of two groups got close to each other in pre-test, but in post-test, there was a remarkable (conspicuous) increase in the score in favor of experimental group. In order to control any confounding factor in the analysis, we excluded the effect of the pre-test from the analysis by applying covariance analysis taking the pre-test as a covariate when comparing the results of post-test between both of exp and control group.

Table 6 Descriptive statistics of children scores of the observation card

The results of covariance showed that the pre-test had not any effect on the results of post-test (p > 0.05), and a significant different in favor of exp group (Tables 7, 8, 9 and 10) was observed for walking, {F(1, 17) = 208.43, p < 0.000, R2 = 0.92; running, F (1, 17) = 151.77, p < 0.000, R2 = 0.89; jumping, F(1, 17) = 128.39, p < 0.000, R2 = 0.89;throwing, F(1, 17) = 125.07, p < 0.000, R2 = 0.87}.

Table 7 Results of analysis of covariance comparing adjusted mean of walking activity between experimental and control group in the observation card
Table 8 Results of analysis of covariance comparing adjusted mean of jumping activity between experimental and control group in the observation card
Table 9 Results of analysis of covariance comparing adjusted mean of running activity between experimental and control group in the observation card
Table 10 Results of analysis of covariance comparing adjusted means of throwing activity between experimental and control group in the observation card

The high value of R squared indicated a high percent of the variance in the response variable can be explained by the explanatory variables for all motor activities under study.

Differences Between Scores After Applying Musical Program

The results in Figs. 2, 3, 4 and 5 and Table 11) indicate that no statistically significant differences (p > 0.05) in the children's mean scores that could be attributed to the pre-test.

Fig. 2
figure 2

Mean of pre- and post-scores for throwing activity

Fig. 3
figure 3

Mean of the pre- and post-scores for running activity

Fig. 4
figure 4

Mean of pre- and post-scores for walking activity

Fig. 5
figure 5

Mean of pre- and post-sores for jumping activity

Table 11 Results of analysis of covariance comparing adjusted mean of parameters under study between experimental and control group when applying musical program

The computed (F) value was insignificant for Walking, F(1, 17) = 0.09, p > 0.05; Running, F(1, 17) = 0.01, p > 0.05; Jumping, F(1, 17) = 1.06, p > 0.05; Throwing, F(1, 17) = 2.98, p > 0.05,

This shows the equivalence of the two groups in their abilities before the applying of the music activities.

On the contrary, there were statistically significant differences (p < 0.05) at post-test between the mean scores of children who were exposed music activity (experimental group) and those who were not exposed to musical activity (control group) in motor skills (Figs. 1, 2, 3 and 4).

The computed (F) value was significant for Walking, {F(1, 17) = 163.32, p < 0.000, R2 = 0.91; Running, F(1, 17) = 173.8, p < 0.000, R2 = 0.90; Jumping, F(1, 17) = 102.94, p < 0.000, R2 = 0.84; Throwing, F(1, 17) = 125.94, p < 0.000, R2 = 0.87}.

The high value of R2 indicated a high percent of the variance in the response variable can be explained by the explanatory variables for all motor activities under study.

In other words, scores were significantly increased from pre-test to post-test of all Motor skills.

Discussion

This study examined the effect of the rhythm of the music used on the balance, level of motor skills, coordination and discipline in the skilled performance of children with Down syndrome, confirmed by (Hilgenbrink et al., 2020) that physical education teachers usually do not know how to use the rhythm of music in teaching the motor skills of a child with Down syndrome, and found (Heibach & Liebermann, 2013; Haibach-Beach et al, 2020) that children with Down syndrome have limited balance ability, which may affect performance in motor skills such as walking and running. Therefore, these teachers need to be trained in how to use music to develop the motor skills of this class. Referenced (Lieberman et al., 2012; Sorrell & Stratton, 2019) show that children with Down syndrome have limited physical education skills as part of the daily educational program despite evidence of the importance of motor training for them. This was confirmed by (Houston Wilson, 2017; Hilgenbrink et al., 2020). A multidisciplinary team that must be properly prepared and equipped to ensure that children with Down syndrome have the best approaches to improving their competence.

The proposed kinetic music program was applied to the research sample. Two groups were selected, one experimental and the other a control group. This program has been shown to be effective in developing and improving dynamic balance, coordination and flexibility in children with Down syndrome. Where it was found that there is a significant difference in the levels of motor performance in the selected skills which are walking, running, jumping and throwing. Therefore, (Foster et al., 2020) emphasized the urgent need for early intervention for children with Down syndrome which in turn leads to improved motor skills, leading to enhanced proprioception and motor balance development.

Research Recommendations

  1. 1.

    Paying attention to the preparation of teachers specialized in the field of people with special needs.

  2. 2.

    Focusing on musical activities in all its branches (singing–playing–listening and tasting–musical games–musical story) and employing them to help people with special needs.

  3. 3.

    The necessity of holding training courses for special education teachers in the field of musical activities to develop their practical performance.

Conclusion

Children with Down syndrome suffer from many cases of difficulty in motor performance that affect their ability and to develop motor competence at a rate similar to their peers who develop normally. The well-documented benefits of music and the effectiveness of rhythm in helping to master movement, as the musician is characterized by a wide scope in the field of music therapy. The application of the program rhythmic music to them, and the results of the research showed a remarkable improvement in those skills, as the sample children participated in interacting with the rhythm of music in a successful manner, and therefore, this remarkable development will be reflected in the rest of their motor skills, so the movement difficulties of children with Down syndrome need appropriate early intervention.