Skip to main content
Log in

Comparing color usage in abstract, oil, and Chinese ink paintings

  • Regular Paper
  • Published:
Journal of Visualization Aims and scope Submit manuscript

Abstract

Color is one of the fundamental elements of paintings. This paper proposes a set of measurements for color usage in a painting, including basic color elements, global and local color harmony, and color statistical properties, characterizing color features from both the spatial domain and frequency domain. We also collect a painting set including 1059 abstract paintings, 1012 oil paintings, and 1003 Chinese ink paintings. Applying the measurements to this painting set, we are able to observe the roles of color in the three genres of paintings. We report our findings in detail on the effectiveness of these measurements. Chinese ink paintings are significantly different from abstract and oil paintings in color usage, while abstract paintings emphasize color more than the two other genres. The measurements may serve as tools for the classification of paintings. The work is the first of this kind and points to further investigation of color usage in other forms of art and design.

Graphical abstract

This is a preview of subscription content, log in via an institution to check access.

Access this article

Price excludes VAT (USA)
Tax calculation will be finalised during checkout.

Instant access to the full article PDF.

Fig. 1
Fig. 2
Fig. 3
Fig. 4
Fig. 5
Fig. 6

Similar content being viewed by others

References

Download references

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Kang Zhang.

Additional information

Publisher's Note

Springer Nature remains neutral with regard to jurisdictional claims in published maps and institutional affiliations.

Rights and permissions

Springer Nature or its licensor (e.g. a society or other partner) holds exclusive rights to this article under a publishing agreement with the author(s) or other rightsholder(s); author self-archiving of the accepted manuscript version of this article is solely governed by the terms of such publishing agreement and applicable law.

Reprints and permissions

About this article

Check for updates. Verify currency and authenticity via CrossMark

Cite this article

Li, Y., Fan, Z., Zhu, Y. et al. Comparing color usage in abstract, oil, and Chinese ink paintings. J Vis 26, 1389–1404 (2023). https://doi.org/10.1007/s12650-023-00929-z

Download citation

  • Received:

  • Revised:

  • Accepted:

  • Published:

  • Issue Date:

  • DOI: https://doi.org/10.1007/s12650-023-00929-z

Keywords

Navigation