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International Journal of the Classical Tradition

, Volume 11, Issue 3, pp 344–368 | Cite as

From Praxiteles to de Chirico: Art and reception

  • Rosemary Barrow
Article

Abstract

This paper aims to interrogate concepts of the classical tradition through an examination of the visual reception of the sculptural female nude. Praxiteles’s fourth-century bce Aphrodite of Cnidos and her variants are cited as a significant presence in the canon of western art through a discussion of paintings from different art historical periods and styles. Works by Titian, Alma-Tadema and de Chirico present complex commentaries on the relationship between ancient art work and its reception and offer not just comparisons but dialogues between antiquity and modernity. Lacanian concepts of desire are utilized to frame a discussion of the originary erotic meaning of the Greek sculptural nude and the appropriation or negation of this meaning in terms of artistic reception.

Keywords

Classical Tradition Greek Original Mirror Stage Loeb Classical Library Voyeurism 
These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.

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References

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Copyright information

© Transaction Publishers 2005

Authors and Affiliations

  • Rosemary Barrow
    • 1
  1. 1.Department of Classics, King’s CollegeUniversity of LondonLondonUK

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