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Setting the Theater for Creativity: Proposal for Integrating Temporal and Spatial Artificial Mnemonics as a Qualitative Artificial Development of the Autobiographical Naturalistic Mnemonics (AM)

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Abstract

Mnemonics are not only tools that empower memory but also have a significant role in qualitatively transforming mental functions and, hence, consciousness in general. A specific type of mnemonics is autobiographical mnemonics (AM) constructed of spatial, temporal, and semantic dimensions used in a naturalist form by individuals about their own experiences. This paper proposes a spatial–temporal mnemonic that transforms AM from a naturalist level into an artificial one. We consider allowing the intellect and consciousness to grasp the abstract flow of time in the global context of geography will contribute to setting the stage for creativity. By explicitly representing the abstract time–space theater, the intellect (the world view) is more able to reflect the abstract laws of reality (the world), hence, to make the intellect sphere objectively equipped to externalize the emerged meanings (the internalized reality) that reflect the internal content of experience and, hence, make sense of them as a crucial function in creative activity. The paper is a theoretical and methodological step for the empirical part of the proposal when the mnemonic should be used as a training tool to empower creativity factors.

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Author Contributions: ME was principally responsible for the text in terms of epistemological, theoretical, and methodological proposals. ZJ and RC contributed to the review and the historical investigation and provided methodological and literature suggestions. All authors contributed to the manuscript’s final form.

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Correspondence to Mohamad El Maouch or Ruijun Chen.

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El Maouch, M., Chen, R. & Jin, Z. Setting the Theater for Creativity: Proposal for Integrating Temporal and Spatial Artificial Mnemonics as a Qualitative Artificial Development of the Autobiographical Naturalistic Mnemonics (AM). Integr. psych. behav. (2024). https://doi.org/10.1007/s12124-024-09819-x

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  • DOI: https://doi.org/10.1007/s12124-024-09819-x

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