Abstract
In the United States, adult entertainment striptease (also called exotic dance, nude dancing, and topless dancing) has both live and imaginary spectators. The real audience consists of those who actually enter a club (cabaret, theater), such as patrons and club personnel. However, there are people who only imagine what exotic dance is. I will comment on real and imaginary exotic dance spectators, the values they have, the actions they take that impact exotic dance, and the implications of these actions. A mosaic of contested meanings of exotic dance affects its existence or modification as well as American civil liberties. There are some feminist and uninformed imaginary spectators. Most active is an absent, imaginary audience of a segment of the politically active Christian Right that adheres to its interpretation of Scripture. Imaginary spectators are usually blind and deaf to the actual language of a dance form. Some believe exotic dance to be sinful and/or to cause crime, property depreciation, and disease, contrary to scientific evidence. These spectators’ actions in many places have destroyed the contemporary genre of exotic dance, hurt the industry economically, and caused the loss of jobs. Actual spectators, patrons who expect to see the same full nudity and sexy dance movements that are seen in “high” (“elite”) forms of art such as ballet, opera, modern dance, and theater, believe in free expression and unfettered enterprise and join the defense of exotic dance.
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Notes
http://www.clk.co.st-johns.fl.us/minrec/ordinancebooks/1992/ORD1992-12.pdf; Café 707 v. St. Johns County, 11th Circuit 1993.
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Hanna, J.L. Striptease Spectators: Live and Imaginary. Sexuality & Culture 17, 67–82 (2013). https://doi.org/10.1007/s12119-012-9139-0
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DOI: https://doi.org/10.1007/s12119-012-9139-0