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Defining the emotional contours of exotic dance

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Abstract

Recent years have witnessed a surge of investigative and reflective writings about sex work, many by sex workers themselves. Katherine Frank and Elisabeth Eaves’ books are recent additions to this growing field of study. In G-Strings and Sympathy: Strip Club Regulars and Male Desire, Katherine Frank analyzes the contexts and meanings of strip clubs for heterosexual male clients. In Bare: On Women, Dancing, Sex, and Power, Elisabeth Eaves recounts her experiences as a peep show dancer and stripper. Though covering similar territory, their analytic paths diverge widely. As a reader at the cross-roads of choosing either book, the choice is a matter of intellectual standards, taste, and purpose.

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References

  • Delacoste, F. & Alexander, P. (1987). Sex Work: Writings by Women in the Sex Industry Pittsburgh, PA: Cleis Press.

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  • Eaves, E. (2002). Bare: On Women, Sex, and Power. New York: Alfred A. Knopf.

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  • Frank, K. (2002). G-Strings and Sympathy: Strip Club Regulars and Male Desire. Durham: Duke University Press.

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Lerum, K. Defining the emotional contours of exotic dance. Sex Cult 8, 44–52 (2004). https://doi.org/10.1007/s12119-004-1004-3

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  • DOI: https://doi.org/10.1007/s12119-004-1004-3

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