Abstract
Postmodernity, the cultural mode of neoliberalism, reduces history to a set of discourses with the concomitant assertion that the individual’s knowledge of the real emerges from an engagement with images of the real The economic structures of neoliberalism encourage rugged individualism, self-reliance, and assert a spurious gender equality. Mad Men, a contemporary media product situated in media-derived nostalgia demonstrates how audiences read the past through the postmodern, neoliberal discourse of style. These readings encourage an ahistorical understanding of gender and class that reinforces neoliberal suppression of people as members of political classes.
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Further Reading
Baudrillard, J. 1995. Simulacra and simulation: The body in theory: Histories of cultural materialism. (Sheila F. Glaser, Trans.). Ann Arbor: University of Michigan Press.
Denzin, N. 1991. Images of postmodern society. London: Sage Publications.
Jameson, F. 1991. Postmodernism, or the cultural logic of late capitalism. Durham: Duke University Press.
Kapur, J., & Wagner, K. (Eds.). 2011. Neoliberalism and global cinema: Capital, culture and Marxist critique. New York: Routledge.
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Tudor, D. Selling Nostalgia: Mad Men, Postmodernism and Neoliberalism. Soc 49, 333–338 (2012). https://doi.org/10.1007/s12115-012-9557-5
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DOI: https://doi.org/10.1007/s12115-012-9557-5