Abstract
With deep humanized connotation, the classical Chinese garden uses human intuitive sensation and personal poetic observation to express natural sound phenomena. It differs from the rational modern soundscape in western countries.
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References
Ji Cheng. Construction of Garden. 2nd ed. Beijing: China Construction Industry Press, 1998, 64, 158 (in Chinese)
Wang Shiren. Wang Shiren’s Collected Works on Construction History and Theory. Beijing: China Construction Industry Press, 2001, 239, 326 (in Chinese)
Zong Baihua. Overview on Garden Art. Nanjing: Jiangsu People’s Press, 1985, 107 (in Chinese)
Li Zehou. Four Stresses on Aesthetics. Beijing: San Lian Bookstore, 2004, 84 (in Chinese)
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Translated from Architectural Journal, 2007, (2): 70–72 [译自: 建筑 学报]
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Yuan, X., Wu, S. Soundscape of classical Chinese garden. Front. Archit. Civ. Eng. China 2, 172–178 (2008). https://doi.org/10.1007/s11709-008-0026-6
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DOI: https://doi.org/10.1007/s11709-008-0026-6