References cited
Bharata Muni. 1926–64. Nāṭyaśāstra (eds., M. Ramakrishna Kavi and J. S. Pade). 4 vols. Baroda: Oriental Institute.
Daugherty, Diane. 1996. The Nanṅgyār: Female ritual specialist of Kerala. Asian theater journal 13, 1: 54–67.
Delmonico, Neal. 1990. Sacred rapture: A study of the religious aesthetic of Rū;pa Gosvāmin. Ph.D. dissertation in South Asian Languages and Literature. Chicago: University of Chicago Library.
Enros, Pragna Thakar. 1981. Producing plays in the tradition of Kū;ṭiyāṭṭam. In R. Baumer and J. R. Brandon, eds., Sanskrit drama in performance, 275–98. Honolulu: University of Hawaii Press.
Feistel, Hartmut-Ortwin. 1972. The Purvaranga and the chronology of pre-classical Sanskrit theater. Saṃskrita ranga annual 6: 1–26.
Gerow, Edwin. 1981. Rasa as a category of literary criticism. In R. Baumer and J. R. Brandon, eds., Sanskrit drama in performance, 226–57. Honolulu: University of Hawaii Press.
Gerow, Edwin, trans. 1985. Ūrubhaṅga: The breaking of the thighs. Journal of South Asian literature 20: 57–70.
Gitomer, David L. 1994. ‘Whither the thick sweetness of their passion?’ The search for Vedic origins of Sanskrit drama. In Laurie L. Patton, ed., Authority, anxiety, and canon: Essays in Vedic interpretation, 171–198. Albany: SUNY.
Haberman, David. 1988. Acting as a way of salvation: A study of rāgānugā bhakti sādhana. New York: Oxford University Press.
Haksar, A. N. D., trans. 1993. The shattered thigh and the other Mahābhārata plays of Bhāsa. New Delhi: Penguin.
Hiltebeitel, Alf. 1988–91. The cult of Draupadī. 2 vols. Chicago: University of Chicago Press.
Jones, Clifford Reis. 1973. Source materials for the construction of the nāṭyamandapa in the Śilparatna and the Tantrasamuccāya Śilpa Bhāgam. Journal of the American Oriental Society 93: 286–96.
Jones, Clifford Reis. 1975. Notes on the restoration of a temple theater for Sanskrit drama. Journal of the National Centre for the Performing Arts 2, 2: 1–15.
Jones, Clifford Reis. 1983. Notes on comparison of Vedic mudras with mudras used in Kū;ṭiyāṭṭam and Kathakali. In F. Staal, ed., Agni: The Vedic ritual of the fire altar, 2 vols., 2: 380–81. Berkeley: Asian Humanities Press.
Jones, Clifford Reis, ed. 1984. The wondrous crest-jewel in performance. Delhi: Oxford University Press.
Kālidāsa. 1976. Kālidāsa-Granthāvalī (ed. Revāprasāda Dvivedī). Varanasi: Banaras Hindu University.
Kuiper, F. B. J. 1979. Varuṅa and Vidū;ṣaka: On the origin of Sanskrit drama. Amsterdam: North-Holland.
Kunjunni Raja, K. 1964. Kū;ṭiyāṭṭam: An introduction. New Delhi: Sangeet Natak Akademi.
Kunjunni Raja, K. 1980–87. Naṭāṅkuśa: A goad on actors. Saṃskrita ranga annual 8: 118–23.
Larson, Gerald James. 1976. The aesthetic (rasāsvāda) and the religious (brahmāsvāda) in Abhinavagupta’s Kashmir Śaivism. Philosophy East and West 26, 4: 371–87.
Larson, Gerald James. 1995. India’s agony over religion. Albany: SUNY.
Lutgendorf, Philip. 1990. Ramayan: The video. The drama review 4, 2: 127–76.
Miller, Barbara Stoler. 1985. Karṅabhāra: The trial of Karṅa. Journal of South Asian literature 20: 47–56.
Mitra, Ananda. 1993. Television and popular culture in India: A study of the Mahābhārat. New Delhi: Sage.
Panchal, Goverdhan. 1984. Kū;ttampalam and Kū;ṭiyāṭṭam: A study of the traditional theatre for the Sanskrit drama of Kerala. New Delhi: Sangeet Natak Akademi.
Panikkar, Nirmala. 1992. Nangiar koothu. Irinjalakuda: Natana Kairali.
Paulose, K. G., ed. and trans. 1993. Naṭāṅkuśa: A critique on dramaturgy. Tripunithura: Government Sanskrit College.
Pollock, Sheldon. 1993. Rāmāyaṅa and political imagination in India. Journal of Asian studies 52: 261–97.
Rajagopalan, L. S. 1980–87. Consecration of the Kū;ttambalam temple theatres of Kerala. Saṃskrita ranga annual 8: 22–40.
Richman, Paula. 1991. E. V. Ramasami’s reading of the Ramayana. In P. Richman, ed., Many Ramayanas: The diversity of the narrative tradition in South Asia, 175–201. Berkeley: University of California Press.
Richmond, Farley. 1971. Some religious aspects of traditional Indian theatre. The drama review 15: 123–31.
Richmond, Farley. 1978. The rites of passage and Kutiyattam: The Sanskrit theatre of Kerala. Sangeet natak 50: 27–36.
Richmond, Farley. 1990. Kū;ṭiyāṭṭam. In F. Richmond, D. Swann, and P. Zarrilli, eds., Indian theater: Traditions of performance, 87–117. Honolulu: University of Hawaii Press.
Richmond, Farley. 1997. Kutiyattam: Sanskrit theater of India. CD-ROM. Ann Arbor: University of Michigan Press.
Sowle, John Steven. 1982. The Traditions, training, and performance of Kū;tiyāṭṭam: Sanskrit drama in south India. Ph.D. dissertation in dramatic art. Berkeley: University of California, Berkeley Library.
Sullivan, Bruce M. 1996. Tapatī-Saṃvaraṅam: A Kū;ṭiyāṭṭam drama by Kulaśekhara Varman. Asian theater journal 13, 1: 26–53.
Tarlekar, G. H. 1991 [1975]. Studies in the Nāṭyaśāstra, with special reference to the Sanskrit drama in performance. Delhi: Motilal Banarsidass.
Unni, N. P. 1977. Consecration of the actor in Kerala. Journal of Kerala studies 4: 305–12.
Unni, N. P. 1978. New problems in Bhāsa plays. Trivandrum: College Book House.
Unni, N. P. 1989. Nāgānanda on the Kerala stage. In T. G. Sastri, ed., Nāgānanda of Harṣa, 1–60. Delhi: Nag.
Unni, N. P. 1992. Some new perspectives in Bhāsa studies. Dharwar: Karnatak University.
Unni, N. P. and Bruce M. Sullivan. 1995. The Sun God’s daughter and King Saṃvaraṅa: Tapatī-Saṃvaraṅam and the Kū;ṭiyāṭṭam drama tradition. Delhi: Nag.
Varadpande, M. L. 1990. Mahabharata in performance. New Delhi: Clarion.
van der Veer, Peter. 1994. Religious nationalism: Hindus and Muslims in India. Berkeley: University of California Press.
Venu, G. 1989. Production of a play in Kū;ṭiyāṭṭam. Irinjalakuda: Natana Kairali.
Woolner, A. C. and Lakshman Sarup, trans. 1985. Thirteen plays of Bhāsa. Delhi: Motilal Banarsidass.
Wulff, Donna M. 1984. Drama as a mode of religious realization: The Vidagdhamādhava of Rū;pa Gosvāmī. Atlanta: Scholars Press.
Wulff, Donna M. 1986. Religion in a new mode: The convergence of the aesthetic and the religious in medieval India. Journal of the American Academy of Religion 54, 4: 673–88.
Author information
Authors and Affiliations
Rights and permissions
About this article
Cite this article
Sullivan, B.M. Temple rites and temple servants: Religion’s role in the survival of Kerala’s Kū;ṭiyāṭṭam drama tradition. Hindu Studies 1, 97–115 (1997). https://doi.org/10.1007/s11407-997-0014-9
Issue Date:
DOI: https://doi.org/10.1007/s11407-997-0014-9