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Scienticity and Artistry Across All Subjects

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Abstract

Both scienticity and artistry have been listed in cluster concept definitions for both science and art. However, these clusters have not been considered together before. I contrast and combine these different clusters for the first time, and I argue that doing so better elucidates the properties of the natural sciences, humanities and fine arts than the science and art cluster concepts do separately. This is because all disciplines have varying levels of scienticity and artistry, but this is not captured fully by the science or art cluster concepts separately. An integrated scienticity and artistry cluster provides a new way of describing the commonly argued notion that the sciences and arts share qualities, methods and practices, but the integrated scienticity-artistry cluster shows how, when and where these qualities blend into each other across disciplines.

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Notes

  1. “The Work of Lucian Freud – Paint as Flesh” <http://www.winsornewton.com/row/discover/articles-and-inspiration/work-of-lucian-freud-paint-as-flesh-us-row?lang=gb>

  2. “The Gustav Klimt Drawings: Inside the Mind of a Master Draftsman” <http://chrisoatley.com/gustav-klimt-drawings/>

  3. “The Balcony 2” <https://www.artgallery.nsw.gov.au/collection/works/116.1981/>

  4. “Paul Simon Solo”, 1987, Paul Simon interviewed by Mark Steyn. BBC TV.

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Acknowledgements

Thanks to an anonymous reviewer, Maartin Boudry, Dustin Hellberg and Gregory Tague for helpful comments on an earlier draft.

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Correspondence to Anthony Lock.

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Lock, A. Scienticity and Artistry Across All Subjects. Philosophia 46, 355–377 (2018). https://doi.org/10.1007/s11406-017-9887-z

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