Skip to main content

Advertisement

Log in

The Empowering (Super) Heroine? The Effects of Sexualized Female Characters in Superhero Films on Women

  • Original Article
  • Published:
Sex Roles Aims and scope Submit manuscript

Abstract

The present study was conducted with female undergraduates in the Midwestern region of U.S. to examine the potential positive and negative influences of the gendered depictions of women in superhero films. This study utilized social cognitive and objectification theory frameworks to experimentally examine the short-term effects of exposure to sexualized female characters in superhero films on 83 female viewers’ gender role beliefs, body esteem, and self-objectification. Results show that exposure to the sexualized-victim images of women in superhero films decreased egalitarian gender role beliefs. Exposure to the sexualized-heroine images resulted in lower body esteem. Additionally, a positive effect emerged with a greater belief in the importance of body competence to the self-concept for women who were exposed to the superheroine characters. This study demonstrates short-term effects from viewing sexualized images of women in superhero films and provides a significant understanding of how sexualized female representations may impact gender related beliefs as well as perceptions of one’s self-esteem and body objectification.

This is a preview of subscription content, log in via an institution to check access.

Access this article

Subscribe and save

Springer+ Basic
$34.99 /Month
  • Get 10 units per month
  • Download Article/Chapter or eBook
  • 1 Unit = 1 Article or 1 Chapter
  • Cancel anytime
Subscribe now

Buy Now

Price excludes VAT (USA)
Tax calculation will be finalised during checkout.

Instant access to the full article PDF.

Similar content being viewed by others

References

  • Aubrey, J., Hensen, J., Hopper, K., & Smith, S. (2009). A picture is worth twenty words (about the self): Testing the priming influence of visual sexual objectification on women’s self-objectification. Communication Research Reports, 26, 271–284. doi:10.1080/08824090903293551.

    Article  Google Scholar 

  • Aubrey, J., Hopper, K., & Mbure, W. (2011). Check that body! The effects of sexually objectifying music videos on college men’s sexual beliefs. Journal of Broadcasting and Electronic Media, 55, 360–379. doi:10.1080/08838151.2011.597469.

  • Aubrey, J., Behm-Morawitz, E., & Kim, K. (2014). Understanding the effects of MTV’s 16 & Pregnant on adolescent girls’ beliefs, attitudes and behavioral intentions toward teen pregnancy. Journal of Health Communication, 19, 1145–1160. doi:10.1080/10810730.2013.872721.

  • Behm-Morawitz, E., & Mastro, D. (2008). Mean girls? The influence of gender portrayals in teen movies on emerging adults’ gender-based attitudes and beliefs. Journalism and Mass Communication Quarterly, 85, 131–146. doi:10.1177/107769900808500109.

  • Behm-Morawitz, E., & Mastro, D. (2009). The effects of the sexualization of female video game characters on gender stereotyping and female self-concept. Sex Roles, 61, 808–823. doi:10.1007/s11199-009-9683-8.

    Article  Google Scholar 

  • Behm-Morawitz, E., & Pennell, H. (2013). The effects of superhero sagas on our gendered selves. In R. Rosenberg (Ed.), Our superheroes, ourselves (pp. 73–93). New York, NY: Oxford University Press.

    Google Scholar 

  • Bissell, K. L., & Zhou, P. (2004). Must-see TV or ESPN: Entertainment and sports media exposure and body-image distortion in college women. Journal of Communication, 54, 5–21. doi:10.1111/j.1460-2466.2004.tb02610.x.

    Article  Google Scholar 

  • Buncombe, A. (2002). Spiderman swings its way to box office record. The Independent, p. 4.

  • Bussey, K., & Bandura, A. (1999). Social cognitive theory of gender development and differentiation. Psychological Review, 106, 676–713. doi:10.1037/0033-295X.106.4.676.

    Article  PubMed  Google Scholar 

  • Carroll, N. (1990). The image of women in film: A defense of a paradigm. The Journal of Aesthetics and Art Criticism, 48, 349–360. doi:10.2307/431572.

    Article  Google Scholar 

  • Clover, C. (1999). Her body, himself: Gender in the slasher film. In S. Thornham (Ed.), Feminist film theory: A reader (pp. 234–247). New York: New York University Press.

    Google Scholar 

  • Coyne, S., Linder, J., Rasmussen, E., Nelson, D., & Collier, K. (2014). It’s a bird! It’s a plane! It’s a gender stereotype!: Longitudinal associations between superhero viewing and gender stereotyped play. Sex Roles, 70, 416–430. doi:10.1007/s11199-014-0374-8.

    Article  Google Scholar 

  • Deaux, K., & Lewis, L. (1983). Structure of gender-stereotypes: Interrelationships among components and gender label. Journal of Personality and Social Psychology, 46, 991–1004. doi:10.1037/0022-3514.46.5.991.

    Article  Google Scholar 

  • Franzoi, S. L., & Shields, S. A. (1984). The body-esteem scale: Multidimensional structure and sex differences in a college population. Journal of Personality Assessment, 48, 173–178. doi:10.1207/s15327752jpa4802_12.

    Article  PubMed  Google Scholar 

  • Fredrickson, B. L., & Roberts, T.-A. (1997). Objectification theory: Toward understanding women’s lived experiences and mental health risks. Psychology of Women Quarterly, 21, 173–206. doi:10.1111/j.1471-6402.1997.tb00108.x.

    Article  Google Scholar 

  • Herbozo, S., Tantleff-Dunn, S., Gokee-Larose, J., & Thompson, J. K. (2004). Beauty and thinness messages in children’s media: A content analysis. Eating Disorders, 12, 21–34. doi:10.1080/10640260490267742.

    Article  PubMed  Google Scholar 

  • Hoffner, C. (1996). Children’s wishful identification and parasocial interaction with favorite television characters. Journal of Broadcasting & Electronic Media, 40, 389–402. doi:10.1080/08838159609364360.

    Article  Google Scholar 

  • Lafky, S., & Duffy, M. (1996). Looking through gendered lenses: Female stereotyping in advertisements and gender role expectations. Journalism and Mass Communication Quarterly, 76, 379–388. doi:10.1177/107769909607300209.

    Article  Google Scholar 

  • McCallister, M. P., Gordon, I., & Jancovich, M. (2006). Blockbuster meets superhero comic, or art house meets graphic novel? The contradictory relationship between film and comic art. Journal of Popular Film and Television, 34, 108–115. doi:10.3200/JPFT. 34.3.108-115.

  • Meslow, S. (2012). The revenge of the second-tier superhero film. The Atlantic. Retrieved from http://www.theatlantic.com/entertainment/archive/2012/02/the-revenge-of-the-second-tier-superhero-film/253243/.

  • Mulvey, L. (1999). Visual pleasure and narrative cinema. In S. Thornham (Ed.), Feminist film theory: A reader (pp. 58–69). New York: New York University Press.

    Google Scholar 

  • Murnen, S. K., Smolak, L., Mills, J. A., & Good, L. (2003). Thin, sexy women and strong, muscular men: Grade-school children’s responses to objectified images of women and men. Sex Roles, 49, 427–437. doi:10.1023/A:1025868320206.

    Article  Google Scholar 

  • Musen, G., & Treisman, A. (1990). Implicit and explicit memory for visual patterns. Journal of Experimental Psychology: Learning, Memory, and Cognition, 16, 127–137.

    PubMed  Google Scholar 

  • Noll, S. M., & Fredrickson, B. L. (1998). A mediational model linking self-objectification, body shame, and disordered eating. Psychology of Women Quarterly, 22, 623–636. doi:10.1111/j.1471-6402.1998.tb00181.x.

    Article  Google Scholar 

  • Richwine, L. (2014). X-Men sequel tops Avatar as Fox’s biggest global debut. Retrieved from http://www.reuters.com/article/2014/05/26/us-boxoffice-idUSKBN0E61QZ201405.

  • Signorielli, N. (1989). Television and concepts about sex roles: Maintaining conventionality and the status quo. Sex Roles, 21, 337–356. doi:10.1007/BF00289596.

    Article  Google Scholar 

  • Signorielli, N. (1993). Television and adolscenet’s perceptions about work. Youth and Society, 24, 314–341. doi:10.1177/0044118X93024003004.

    Article  Google Scholar 

  • Spider-Man. (2013). The numbers: Box office data [Fact Sheet]. Retrieved from http://www.the-numbers.com/movies/2002/SPIDR.php.

  • Stabile, C. A. (2009). Sweetheart, this ain’t gender studies: Sexism and superheroes. Communication and Critical/Cultural Studies, 6, 86–92. doi:10.1080/14791420802663686.

    Article  Google Scholar 

  • Tasker, Y. (1993). Action heroines in the 1980s: The limits of ‘musculinity’. In D. Morley (Ed.), Spectacular bodies: Gender, genre and the action cinema (pp. 132–152). London: Routledge. doi:10.4324/9780203221846.

    Google Scholar 

  • The Amazing Spider-Man. (2012). The numbers: Box office data [Fact Sheet]. Retrieved from http://www.the-numbers.com/movies/2012/SPID4.php.

  • US movie market summary for 2012. (2013). The numbers: Box office data [Fact Sheet]. Retrieved from http://www.the-numbers.com/market/2012.php.

  • Ussher, J. M. (1989). They psychology of the female body. New York: Routledge.

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Hillary Pennell.

Rights and permissions

Reprints and permissions

About this article

Check for updates. Verify currency and authenticity via CrossMark

Cite this article

Pennell, H., Behm-Morawitz, E. The Empowering (Super) Heroine? The Effects of Sexualized Female Characters in Superhero Films on Women. Sex Roles 72, 211–220 (2015). https://doi.org/10.1007/s11199-015-0455-3

Download citation

  • Published:

  • Issue Date:

  • DOI: https://doi.org/10.1007/s11199-015-0455-3

Keywords

Navigation