1 Correction to: Int J Semiot Law (2018) 31:275–299 https://doi.org/10.1007/s11196-018-9558-9
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I am indebted to the work of Kate Herrity whose undergraduate dissertation The Significance of Music to the Prison Experience (2014) and continuing work around the area of sound has been formative in developing my understanding of music in prisons. I would also like to thank the reviewers for their feedback and guidance.
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Waller, C. Correction to: ‘Darker than the Dungeon’: Music, Ambivalence, and the Carceral Subject. Int J Semiot Law 31, 719 (2018). https://doi.org/10.1007/s11196-018-9571-z
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DOI: https://doi.org/10.1007/s11196-018-9571-z