Abstract
The postmodern idea of “return to the origin” of a literary text characterizes almost all literature. Italo Calvino’s Invisible Cities is a reconstruction of The Travels of Marco Polo, but despite the strong connections between the two texts, little attempts have been made to apply this intertextual relationship in a reading of Invisible Cities. Identifying such connections could lead to insightful thoughts about a particular text and consequently a deeper understanding of literature in general. Following Linda Hutcheon’s theory on postmodern parody, this study explores the parodic features of Calvino’s novel in relation to the medieval book and their implications for a reading of Invisible Cities. It is concluded that Calvino engages in a self-reflexive dialogue with his readers and, at the same time, uses his characters to reflect the agents of this conversation. Furthermore, it is shown that by manipulating structure and the tenets of postmodernism, Calvino reflects the nature of postmodern urban experience in Invisible Cities.
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Notes
For some insights from architects on Calvino’s cities, see for example Karina Puente’s collections of “Intricate illustrations of Italo Calvino’s ‘Invisible cities’” and “Italo Calvino’s ‘Invisible cities’, illustrated (Again)” in ArchDaily [Accessed at 12th September 2022].
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Moosavinia, S.R., Ahmadzadeh, B.M. Italo Calvino’s Invisible cities as a postmodern parody of The travels of Marco Polo. Neohelicon 50, 743–759 (2023). https://doi.org/10.1007/s11059-023-00687-9
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DOI: https://doi.org/10.1007/s11059-023-00687-9