Abstract
It has been proposed conceptually that viewers respond to certain advertisements via Empathetic Responses; that is, by feeling with depicted characters. Such deep viewer engagement is especially valued in today’s media environment and is central to dramatic advertising strategies. Nevertheless, Empathetic Responses remain relatively understudied. We situate Empathetic Responses within a model comprising high-level personality domains (within the “Big Five”), lower-level personality facets (multidimensional Trait Empathy), and Perceived Ad Vividness, all as antecedents, as well as consequent Ad-Evoked Feelings. Our findings clarify the composition and function of Empathetic Responses, adding to both basic and applied understandings.
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Notes
The broad agreement that empathy relates to both negative and positive emotions (see, e.g., Davis1996, 2006) is, nonetheless, not universally accepted. Bagozzi and Moore (1994), for example, defined empathy as “the heightened awareness of another person in danger or distress [which] includes the urge to alleviate the other person’s plight” (p. 159); that is, as exclusively negative.
Escalas et al. (2004) defined Being Hooked as “a viewer’s being drawn into, or pulled into, an ad” (2004, p. 105), a holistic construct including affective and cognitive “experiential involvement” in the ad. Thus, Being Hooked is the broader construct, conceptually and operationally superordinate to Empathetic Responses.
Note that we have proposed no hypotheses regarding Empathetic Concern and relationships with Empathetic Responses. The existing measures for Empathetic Concern focus on sympathy and compassion (e.g., “I often have tender, concerned feelings for people less fortunate than me”). Since our research is focused on Empathetic Responses as distinct from Sympathetic Responses, the dimension was not included in this study.
We agree with Escalas et al. (2004) and others that feelings are properties of the individual viewer, not of the ad. Nevertheless, and as these scholars acknowledge, advertisements can be characterized as typically evoking certain sorts of feelings. Hence, we refer to ours as “positive” and “negative” ads (or “conditions”) based on typical viewer responses.
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Mooradian, T.A., Matzler, K. & Szykman, L. Empathetic responses to advertising: Testing a network of antecedents and consequences. Market Lett 19, 79–92 (2008). https://doi.org/10.1007/s11002-008-9032-7
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DOI: https://doi.org/10.1007/s11002-008-9032-7