Skip to main content
Log in

The Impact of Music-Based Rational-Emotive and Cognitive-Behavioral Education on Positive and Negative Emotions: A Preliminary Investigation in Ecological Conditions

  • Published:
Journal of Rational-Emotive & Cognitive-Behavior Therapy Aims and scope Submit manuscript

Abstract

Although there is an extensive literature showing that both rational-emotive and cognitive-behavioral interventions (REBT/CBT) and music can alter various emotional responses, little is known about their ability to impact on both positive and negative emotions simultaneously. Thus, the present study aimed to investigate whether classical music combined with REBT/CBT psycho-education on emotions can alter people’s levels of positive and negative emotions. A number of 459 participants (62.7% females; m age = 36.67, SD = 11.754) were recruited for this study from the public attending to a classical music concert. The classical music pieces were selected by a group of experts in order to be conceptualized in relationship with components of the REBT/CBT’s ABC model of emotions (e.g., catastrophyzing, acceptance/meditation) and this conceptualization was also delivered during the concert (i.e., before each corresponding musical part). Emotions were assessed before and after the entire performance for all participants. Results indicated a significant change in emotions between the two assessments (F(11,397) = 59.99, p < .001, partial η2 = .62), revealing significant increases for all the positive emotions and decreases for all the negative emotions that have been evaluated. This is one of the first experimental studies conducted on large-scale in fully ecological settings to confirm that music-based rational-emotive and cognitive-behavioral education might change the intensity of people’s positive and negative emotions simultaneously. These findings are discussed in line with the existing models of music and emotions.

This is a preview of subscription content, log in via an institution to check access.

Access this article

Price excludes VAT (USA)
Tax calculation will be finalised during checkout.

Instant access to the full article PDF.

Institutional subscriptions

Similar content being viewed by others

References

  • Blood, A. J., & Zatorre, R. J. (2001). Intensely pleasurable responses to music correlate with activity in brain regions implicated in reward and emotion. Proceedings of the National Academy of Sciences, 98(20), 11818–11823. doi:10.1073/pnas.191355898.

    Article  Google Scholar 

  • Concert Simfonia Iubirii (2015). Retrieved from https://www.youtube.com/watch?v=lws6e6duS3U.

  • David, D., Lynn, S., & Ellis, A. (2010). Rational and irrational beliefs. Implications for research, theory, and practice. New York, NY: Oxford University Press.

    Google Scholar 

  • David, D., Schnur, J., & Birk, J. (2004). Brief report. Functional and dysfunctional feelings in Ellis’ cognitive theory of emotion: An empirical analysis. Cognition and Emotion, 18(6), 869–880. doi:10.1080/02699930341000185.

    Article  Google Scholar 

  • David, D., Szentagotai, A., Eva, K., & Macavei, B. (2005). A synopsis of rational-emotive behavior therapy (REBT); fundamental and applied research. Journal of Rational-Emotive & Cognitive-Behavior Therapy, 23(3), 175–221. doi:10.1007/s10942-005-0011-0.

    Article  Google Scholar 

  • Dibben, N. (2004). The role of peripheral feedback in emotional experience with music. Music Perception: An Interdisciplinary Journal, 22(1), 79–115. doi:10.1525/mp.2004.22.1.79.

    Article  Google Scholar 

  • DiGiuseppe, R. A., Doyle, K. A., Dryden, W., & Backx, W. (2013). A practitioner’s guide to rational-emotive behavior therapy. Oxford: Oxford University Press.

    Book  Google Scholar 

  • Driscoll, D., Tranel, D., & Anderson, S. W. (2009). The effects of voluntary regulation of positive and negative emotion on psychophysiological responsiveness. International Journal of Psychophysiology, 72(1), 61–66. doi:10.1016/j.ijpsycho.2008.03.012.

    Article  PubMed  Google Scholar 

  • Dryden, W. (2008). Rational emotive behaviour therapy: Distinctive features. Hove, East Sussex: Routledge.

    Google Scholar 

  • Dryden, W., & David, D. (2008). Rational emotive behavior therapy: Current status. Journal of Cognitive Psychotherapy, 22(3), 195–209. doi:10.1891/0889-8391.22.3.195.

    Article  Google Scholar 

  • Eerola, T., & Vuoskoski, J. K. (2013). A review of music and emotion studies: Approaches, emotion models, and stimuli. Music Perception: An Interdisciplinary Journal, 30(3), 307–340. doi:10.1525/mp.2012.30.3.307.

    Article  Google Scholar 

  • Egermann, H., Pearce, M. T., Wiggins, G. A., & McAdams, S. (2013). Probabilistic models of expectation violation predict psychophysiological emotional responses to live concert music. Cognitive, Affective, & Behavioral Neuroscience, 13(3), 533–553. doi:10.3758/s13415-013-0161-y.

    Article  Google Scholar 

  • Ellis, A. (1962). Reason and emotion in psychotherapy. Oxford, England: L. Stuart.

    Google Scholar 

  • Ellis, A. (1994). Reason and emotion in psychotherapy (rev sub edition). Secaucus, NJ: Citadel.

    Google Scholar 

  • Ellis, A., & DiGiuseppe, R. (1993). Are inappropriate or dysfunctional feelings in rational-emotive therapy qualitative or quantitative? Cognitive Therapy and Research, 17(5), 471–477. doi:10.1007/BF01173058.

    Article  Google Scholar 

  • Gonzalez, J. E., Nelson, J. R., Gutkin, T. B., Saunders, A., Galloway, A., & Shwery, C. S. (2004). Rational emotive therapy with children and adolescents a meta-analysis. Journal of Emotional and Behavioral Disorders, 12(4), 222–235. doi:10.1177/10634266040120040301.

    Article  Google Scholar 

  • Grewe, O., Nagel, F., Kopiez, R., & Altenmüller, E. (2007). Emotions over time: Synchronicity and development of subjective, physiological, and facial affective reactions to music. Emotion, 7(4), 774. doi:10.1037/1528-3542.7.4.774.

    Article  PubMed  Google Scholar 

  • Hunter, P. G., Schellenberg, E. G., & Schimmack, U. (2008). Mixed affective responses to music with conflicting cues. Cognition and Emotion, 22(2), 327–352. doi:10.1080/02699930701438145.

    Article  Google Scholar 

  • Hunter, P. G., Schellenberg, E. G., & Schimmack, U. (2010). Feelings and perceptions of happiness and sadness induced by music: Similarities, differences, and mixed emotions. Psychology of Aesthetics, Creativity, and the Arts, 4(1), 47. doi:10.1037/a0016873.

    Article  Google Scholar 

  • Juslin, P. N., & Laukka, P. (2004). Expression, perception, and induction of musical emotions: A review and a questionnaire study of everyday listening. Journal of New Music Research, 33(3), 217–238. doi:10.1080/0929821042000317813.

    Article  Google Scholar 

  • Ladinig, O., & Schellenberg, E. G. (2012). Liking unfamiliar music: Effects of felt emotion and individual differences. Psychology of Aesthetics, Creativity, and the Arts, 6(2), 146. doi:10.1037/a0024671.

    Article  Google Scholar 

  • Larsen, J. T., & Stastny, B. J. (2011). It’s a bittersweet symphony: Simultaneously mixed emotional responses to music with conflicting cues. Emotion, 11(6), 1469. doi:10.1037/a0024081.

    Article  PubMed  Google Scholar 

  • Laukka, P. (2007). Uses of music and psychological well-being among the elderly. Journal of Happiness Studies, 8(2), 215–241. doi:10.1007/s10902-006-9024-3.

    Article  Google Scholar 

  • MacDonald, R. A., Mitchell, L. A., Dillon, T., Serpell, M. G., Davies, J. B., & Ashley, E. A. (2003). An empirical investigation of the anxiolytic and pain reducing effects of music. Psychology of Music, 31(2), 187–203. doi:10.1177/0305735603031002294.

    Article  Google Scholar 

  • McAdams, S., Vines, B. W., Vieillard, S., Smith, B. K., & Reynolds, R. (2004). Influences of large-scale form on continuous ratings in response to a contemporary piece in a live concert setting. Music Perception: An Interdisciplinary Journal, 22(2), 297–350. doi:10.1525/mp.2004.22.2.297.

    Article  Google Scholar 

  • Pelletier, C. L. (2004). The effect of music on decreasing arousal due to stress: A meta-analysis. Journal of Music Therapy, 41(3), 192–214. doi:10.1093/jmt/41.3.192.

    Article  PubMed  Google Scholar 

  • Powell, J. (2016). Why you love music: From Mozart to metallica—the emotional power of beautiful sounds. Boston: Little, Brown.

    Google Scholar 

  • Rentfrow, P. J., & Gosling, S. D. (2003). The do re mi’s of everyday life: The structure and personality correlates of music preferences. Journal of Personality and Social Psychology, 84(6), 1236. doi:10.1037/0022-.

    Article  PubMed  Google Scholar 

  • Russell, J. A. (1980). A circumplex model of affect. Journal of Personality and Social Psychology, 39(6), 1161–1178. doi:10.1037/h0077714.

    Article  Google Scholar 

  • Russell, J. A., & Carroll, J. M. (1999). On the bipolarity of positive and negative affect. Psychological Bulletin, 125(1), 3. doi:10.1037/0033-2909.125.1.3.

    Article  PubMed  Google Scholar 

  • Saarikallio, S., & Erkkilä, J. (2007). The role of music in adolescents’ mood regulation. Psychology of Music, 35(1), 88–109. doi:10.1177/0305735607068889.

    Article  Google Scholar 

  • Salimpoor, V. N., Benovoy, M., Larcher, K., Dagher, A., & Zatorre, R. J. (2011). Anatomically distinct dopamine release during anticipation and experience of peak emotion to music. Nature Neuroscience, 14(2), 257–262. doi:10.1038/nn.2726.

    Article  PubMed  Google Scholar 

  • Schäfer, T., Sedlmeier, P., Städtler, C., & Huron, D. (2013). The psychological functions of music listening. Frontiers in Psychology, 4, 511. doi:10.3389/fpsyg.2013.00511.

    PubMed  PubMed Central  Google Scholar 

  • Simfonia Iubirii-Young Famous Orchestra (2015). Retrieved from https://www.youtube.com/watch?v=rG17002vWBg&t=2s.

  • Sloboda, J. A., & Juslin, P. N. (Eds.). (2001). Psychological perspectives on music and emotion. In Music and emotion: Theory and research (pp. 71–104). New York, NY: Oxford University Press.

  • Vaitl, D., Vehrs, W., & Sternagel, S. (1993). Prompts-leitmotif-emotion: Play it again, Richard Wagner. In The structure of emotion: Psychophysiological, cognitive, and clinical aspects (pp. 169-189).

  • Västfjäll, D. (2002). Emotion induction through music: A review of the musical mood induction procedure. Musicae Scientiae, 5(1 suppl), 173–211. doi:10.1177/10298649020050S107.

    Google Scholar 

  • Zentner, M., Grandjean, D., & Scherer, K. R. (2008). Emotions evoked by the sound of music: Characterization, classification, and measurement. Emotion, 8(4), 494. doi:10.1037/1528-3542.8.4.494.

    Article  PubMed  Google Scholar 

Download references

Acknowledgement

We thank Vlad Agachi and The Young Famous Orchestra (https://www.facebook.com/yforchestra) for their contribution, without which the present study could not have been completed.

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Daniel O. David.

Electronic supplementary material

Below is the link to the electronic supplementary material.

Supplementary material 1 (PNG 1386 kb)

Rights and permissions

Reprints and permissions

About this article

Check for updates. Verify currency and authenticity via CrossMark

Cite this article

Şoflău, R., David, D.O. The Impact of Music-Based Rational-Emotive and Cognitive-Behavioral Education on Positive and Negative Emotions: A Preliminary Investigation in Ecological Conditions. J Rat-Emo Cognitive-Behav Ther 36, 89–97 (2018). https://doi.org/10.1007/s10942-017-0275-1

Download citation

  • Published:

  • Issue Date:

  • DOI: https://doi.org/10.1007/s10942-017-0275-1

Keywords

Navigation