Abstract
This paper notes the adoption of digital photography as a primary recording means within archaeology, and reviews some issues and problems that this presents. Particular attention is given to the problems of recording high-contrast scenes in archaeology and high dynamic range imaging using multiple exposures is suggested as a means of providing an archive of high-contrast scenes that can later be tone-mapped to provide a variety of visualisations. Exposure fusion is also considered, although it is noted that this has some disadvantages. Three case studies are then presented: (1) a very high-contrast photograph taken from within a rock-cut tomb at Cala Morell, Menorca, (2) an archaeological test pitting exercise requiring rapid acquisition of photographic records in challenging circumstances and (3) legacy material consisting of three differently exposed colour positive (slide) photographs of the same scene. In each case, high dynamic range (HDR) methods are shown to significantly aid the generation of a high-quality illustrative record photograph, and it is concluded that HDR imaging could serve an effective role in archaeological photographic recording, although there remain problems of archiving and distributing HDR radiance map data.
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Acknowledgements
A number of colleagues have commented on this manuscript, and I am particularly grateful to Graeme Earl and Tom Goskar for their useful input. Thanks are also due to Geraldine Joffre of the Photomatix Engineering team and to the Southampton University students and supervisors for their interest in and help with HDR recording experiments during the Itchen Abbas excavation project.
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Wheatley, D. High Dynamic Range Imaging for Archaeological Recording. J Archaeol Method Theory 18, 256–271 (2011). https://doi.org/10.1007/s10816-010-9100-1
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DOI: https://doi.org/10.1007/s10816-010-9100-1