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“Well, a tough question. Congratulations:” How and in what aspects do design students evaluate a design studio course?

Abstract

Evaluating a design studio course is a complex issue due to its practice-based, rich, and vague nature. This is an attempt to uncover this complex issue from students’ viewpoints as they are the owners of learning processes. Based on a student evaluation template, we particularly focused on nine dimensions of a design studio course, which are broad components students can evaluate, such as assessment, design brief, design jury, design critics, design studio, term, dialogue, process, and relation. This evaluation template, including reflective writings, offers us to find satisfying answers to how design students describe their learning experiences within a design studio course, and in what aspects, they describe these nine dimensions. Briefly, students preferred a wide variety of words or phrases while describing the dimensions of a design studio course in terms of twelve different aspects such as benefit, clarity, (non)connection, cognitive process, emotional impact, fairness, interactivity, progress, spatial and studying conditions, quality and type.

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Acknowledgements

 This study (Project ID: 41620) was supported by Scientific Research Projects Department of Istanbul Technical University. We would like to thank students who participated in our study voluntarily. We would like to extend our gratitude to Özge Çelikoğlu and Miray Boğa for their valuable contributions.

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Correspondence to Koray Gelmez.

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Appendices

Appendix 1: Distribution of participant-students by term and course names

Semester

Course name

Number of participant-students

2017–18 spring semester

EUT 419E Industrial Design Studio IV

11

2018–19 fall semester

EUT 319E Industrial Design Studio II

6

2018–19 spring semester

EUT 220E Industrial Design Studio I

17

2018–19 spring semester

EUT 320E Industrial Design Studio III / EUT 419E Industrial Design Studio IV

18

2019–20 fall semester

TES 211E Project III (Section 1)

25

2019–20 fall semester

TES 211E Project III (Section 2)

12

Appendix 2: Design studio course evaluation template (Gelmez, 2020)

Topic

Sentences starters with

Objectives

Communication

My dialogue with the teacher(s)…

The design critiques in the class…

The design juries…

My dialogue with my classmates…

The studio environment…

The assessment (grading) of the projects…

To get feedback on communication dimension

To see effect of physical environment

To get insights about specific actions such as design critiques, design juries and grading

Content and process

The brief of the first project…

In the beginning of the first project…

During the first project…

At the end of the first project…

The brief of the second project…

In the beginning of the second project…

During the second project…

At the end of the second project…

The relationship between the first project and the second project…

To get feedback on course content and process

To find connections between design projects

To make comparisons within the term

To get specific insights on project topics and briefs

To get clues on design project process

Overall

The relationship between this course and the other courses in the department…

When I evaluated this semester in general…

Beside this, I would like to say…

To grasp an overall evaluation

To give students an opportunity to say something they want

Appendix 3: Dimensions and aspects

Dimensions

Aspects

Codes mentioned

Percentage

Exemplary phrases

 

Assessment

Benefit of assessment

5

6.0

Helpful assessment

 
 

Clarity of assessment

19

22.6

Unclear assessment

 
 

Emotional impact of assessment

10

11.9

Motivating assessment

 
 

fairness of Assessment

22

26.2

Transparent assessment

 
 

Quality of assessment

11

13.1

Fast assessment

 
 

Type of assessment

17

20.2

Criterion-based assessment

 
  

Total

84

100%

 

Brief

Benefit of brief

29

16.9

Informative brief

 
 

Clarity of brief

65

37.8

Confusing brief

 
 

Emotional impact of brief

22

12.8

Intimidating brief

 
 

Quality of brief

36

20.9

Comprehensive brief

 
 

Type of brief

20

11.6

Ordinary brief

 
  

Total

172

100%

 

Jury

Benefit of jury

24

18.0

Instructive jury

 
 

Cognitive process of jury

6

4.5

Mind-opening jury

 
 

Emotional impact of jury

21

15.8

Stressful jury

 
 

Progress of jury

26

19.5

Intensive jury

 
 

Quality of jury

27

20.3

Sufficient jury

 
 

Type of jury

29

21.8

Process-based jury

 
  

Total

133

100%

 

Critics

Benefit of critics

91

44.4

Productive critics

 
 

Clarity of critics

10

4.9

Unclear critics

 
 

Cognitive process of critics

19

9.3

Thought-provoking critics

 
 

Emotional impact of critics

16

7.8

Upsetting critics

 
 

Progress of critics

17

8.3

Short critics

 
 

Quality of critics

28

13.7

Consistent critics

 
 

Type of critics

24

11.7

Non-interactive critics

 
  

Total

205

100%

 

Design studio

Spatial conditions of studio

176

67.7

Technologically insufficient studio

 
 

Studying conditions of studio

62

23.8

Crowded studio

 
 

Quality of studio

22

8.5

Inappropriate studio

 
  

Total

260

100%

 

Term

Benefit of term

46

28.2

Productive term

 
 

Emotional impact of term

48

29.4

Calm term

 
 

Progress of term

43

26.4

Prolonging term

 
 

Quality of term

26

16.0

Interesting term

 
  

Total

163

100%

 

Dialogue

With teacher

Benefit of dialogue with teacher

18

18.0%

Fruitful dialogue

  

Clarity of dialogue with teacher

3

3.0%

Comprehensible dialogue

  

Emotional impact of dialogue with teacher

17

17.0%

Enjoyable dialogue

  

Progress of dialogue with teacher

3

3.0%

Time-limiting dialogue

  

Quality of dialogue with teacher

54

54.0%

Reciprocal dialogue

  

Type of dialogue with teacher

5

5.0%

Professional dialogue

  

Total

100

100%

 
 

With classmates

Benefit of dialogue with classmates

19

20.4%

Supporting dialogue

  

Emotional impact of dialogue with classmates

6

6.5%

Entertaining dialogue

  

Interactivity of dialogue with classmates

28

30.1%

Easy to establish dialogue

  

Quality of dialogue with classmates

40

43.0%

Strong dialogue

  

Total

93

100%

 

Process

Beginning of the design project

Benefit of beginning

11

8.7%

Productive beginning of project

  

Cognitive process of beginning

9

7.1%

Complicating beginning of project

  

Emotional impact of beginning

53

41.7%

Stressful beginning of project

  

Progress of beginning

41

32.3%

Lasting beginning of project

  

Quality of beginning

13

10.2%

Uncertain beginning of project

  

Total

127

100%

 
 

During the design process

Benefit of project process

31

10.1%

Unproductive process

  

Cognitive process of project process

58

18.9%

Confusing process

  

Emotional impact of project process

82

26.7%

Exciting process

  

Progress of project process

122

39.7%

Deadlocked process

  

Quality of project process

14

4.6%

Unusual process

  

Total

307

100%

 
 

End of the design project

Benefit of end of project

25

20.8%

Eye-opening end of project

  

Cognitive process of end of project

14

11.7%

Mind-opening end of project

  

Emotional impact of end of project

41

34.2%

Unsatisfactory end of project

  

Progress of end of project

29

24.2%

Tiring end of project

  

Quality of end of project

11

9.2%

Different end of project

  

Total

120

100%

 

Relation

Between the first and second design projects

(Non)connection

10

15.6%

  

Quality of relation

54

84.4%

Strong relation

  

Total

64

100%

 
 

With other courses

(Non)connection

2

5.0%

  

Quality of relation

38

95.0%

Transferable relation

  

Total

40

100%

 

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Gelmez, K., Efilti, P. & Yilmaz, O. “Well, a tough question. Congratulations:” How and in what aspects do design students evaluate a design studio course?. Int J Technol Des Educ 33, 1585–1606 (2023). https://doi.org/10.1007/s10798-022-09775-w

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