Ezenwa-Ohaeto: Chants and the Minstrel

Abstract

Ezenwa-Ohaeto’s life encapsulates what the critic and novelist Isidore Okpewho has described as the “dignity of intellectual labour.” This becomes clear as we take into consideration, the range of his production as a poet, scholar, and occasional journalist. Ezenwa-Ohaeto’s work grapples with a vast range of areas of specifically Nigerian literature and culture in the 20th century, but in general with the literature of the postcolonial world as they have come to express distinct, recognizable moral and aesthetic values. His untimely death in 2005 therefore, has implication for the study of this literature, particularly because it marks the closure of the questic imagination of a poet/scholar whose interventions were critical in the formation of the critical values of contemporary African writing. This paper examines Ezenwa-Ohaeto’s contributions in the light of this, and puts in some perspective, aspects of his life and work, and its implications in the formal canon that he helped to shape and stabilize.