References:
Guagnin, M. (2014). Patina and environment in the Wadi al-Hayat: Towards a chronology for the rock art of the Central Sahara. African Archaeological Review, 31, 407–423.
Layton, R. H. (2003). Art and agency: A reassessment. Journal of the Royal Anthropological Institute, 9(3), 447–463.
Le Quellec, J.-L. (2016). Recent work on Saharan rock art (2010-2014). In P. Bahn, N. Franklin, M. Strecker, & E. Devlet (Eds.), Rock art studies: News of the world V (pp. 55–74). Oxford: Archaeopress.
Mattingly, D. J., Daniels, C. M., Dore, J. N., Edwards, D., & Hawthorne, J. (Eds.). (2007). The archaeology of Fazzan. Volume 2: Gazetteer, pottery and other finds. London & Tripoli: Department of Antiquities and Society for Libyan Studies.
Zerboni, A. (2008). Holocene rock varnish on the Messak plateau (Libyan Sahara): Chronology of weathering processes. Geomorphology, 102, 640–651.
Author information
Authors and Affiliations
Corresponding author
Additional information
Publisher’s Note
Springer Nature remains neutral with regard to jurisdictional claims in published maps and institutional affiliations.
Rights and permissions
About this article
Cite this article
Zampetti, D. Tertia Barnett: An Engraved Landscape: Rock Carvings in the Wadi al-Ajal, Libya. Afr Archaeol Rev 37, 509–510 (2020). https://doi.org/10.1007/s10437-020-09389-4
Published:
Issue Date:
DOI: https://doi.org/10.1007/s10437-020-09389-4