Abstract
Team training and interprofessional training have recently emerged as critical new simulations that enhance performance by coordinating communication, leadership, professional, and, to a certain extent, technical skills. In describing these new training tools, the term choreography has been loosely used, but no critical appraisal of the role of the science of choreography has been applied to a surgical procedure. By analogy, the surgical team, including anesthetists, surgeons, nurses, and technicians, constitutes a complete ensemble, whose physical actions and interactions constitute the “performance of surgery.” There are very specific “elements” (tools) that are basic to choreography, such as space, timing, rhythm, energy, cues, transitions, and especially rehearsal. This review explores whether such a metaphor is appropriate and the possibility of applying the science of choreography to the surgical team in the operating theater.
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Acknowledgment
The opinions or assertions contained herein are the private views of the author(s) and are not to be construed as official, or as reflecting the views of the Departments of the Army, Navy or Air Force, the Defense Advanced Research Projects Agency, or the Department of Defense.
Disclosures
Dr. Satava is a consultant to Karl Storz Endoscopy, and has stock in InTouch Health, Inc. A. M. Hunter has no conflicts of interest or financial ties to disclose.
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Satava, R.M., Hunter, A.M. The surgical ensemble: choreography as a simulation and training tool. Surg Endosc 25, 3080–3086 (2011). https://doi.org/10.1007/s00464-011-1673-6
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DOI: https://doi.org/10.1007/s00464-011-1673-6