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Applied Physics A

, Volume 111, Issue 1, pp 59–68 | Cite as

The photodegradation of cadmium yellow paints in Henri Matisse’s Le Bonheur de vivre (1905–1906)

  • Jennifer L. Mass
  • Robert Opila
  • Barbara Buckley
  • Marine Cotte
  • Jonathan Church
  • Apurva Mehta
Article

Abstract

Evidence for the alteration of the yellow paints in Henri Matisse’s Le Bonheur de vivre (1905–1906, The Barnes Foundation) has been observed since the 1990s. The changes in this iconic work of Matisse’s Fauvist period include lightening, darkening, and flaking of the yellow paints. Handheld X-ray fluorescence (XRF) and multispectral imaging surveys reveal that the degradation is confined to cadmium yellow (CdS) paints. The discoloration of cadmium yellow paints in Impressionist, Post-Impressionist and early modernist work from the 1880s through the 1920s has been ascribed to the photo-oxidative degradation of CdS. Preliminary investigations of the degraded yellow paints in this work involved Cd LIII-edge X-ray Absorption Near Edge Spectroscopy (XANES) at the Stanford Synchrotron Radiation Light Source (SSRL Menlo Park, California) and Scanning Electron Microscopy-energy dispersive X-ray analysis (SEM-EDS) at the Winterthur Museum Scientific Research and Analysis Laboratory. To determine if the visual changes in the paints did in fact indicate photo-oxidative degradation and if different chemistries could be observed for the lightened versus darkened regions, synchrotron radiation-micro Fourier Transform InfraRed (SR-μFTIR) spectroscopy, X-ray Fluorescence (SR-μXRF) mapping and micro X-ray Absorption Near Edge Spectroscopy (μXANES) mapping at the Cd LIII-edge of the altered paint cross-sections were carried out at the European synchrotron radiation facility (ESRF, Grenoble, France) beamline ID-21. The goal is to elucidate the discoloration mechanisms observed in the paint using elemental and speciation mapping. The μXANES mapping and SR-FTIR imaging showed a substantial enrichment of CdCO3 in the off-white surface crust of the faded/discolored CdS paint. This suggests that the CdCO3 is present as an insoluble photodegradation product rather than solely a paint filler or starting reagent. Additionally, oxalates and sulfates were found to be concentrated at the alteration surface.

Keywords

Yellow Paint Paint Layer CdSO4 CdCO3 Methyl Ethyl Ketone Peroxide 
These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.

Notes

Acknowledgements

This work is supported by the Andrew W. Mellon Foundation, the Barnes Foundation, the Lenfest Foundation, and the National Science Foundation DMR 0415838. The DOE Office of Science and European Synchrotron Radiation Facility are acknowledged for Apurva Mehta’s and Marine Cotte’s and beamline ID21’s time, respectively. The authors are grateful to Catherine Matsen for her assistance with cross-section preparation, and to Fang Fang for her assistance in the SSRL data collection.

Supplementary material

339_2012_7418_MOESM1_ESM.jpg (41 kb)
The final known oil sketch for Matisse’s Le bonheur de vivre, San Francisco Museum of Modern Art, 1905-1906, 91.160 (JPG 41 kB)

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Copyright information

© Springer-Verlag Berlin Heidelberg 2012

Authors and Affiliations

  • Jennifer L. Mass
    • 1
  • Robert Opila
    • 2
  • Barbara Buckley
    • 3
  • Marine Cotte
    • 4
    • 5
  • Jonathan Church
    • 2
  • Apurva Mehta
    • 6
  1. 1.Scientific Research and Analysis Laboratory, Conservation DepartmentWinterthur MuseumWinterthurUSA
  2. 2.Materials Science and Engineering, DuPont HallUniversity of DelawareNewarkUSA
  3. 3.Department of ConservationThe Barnes FoundationPhiladelphiaUSA
  4. 4.ESRFPolygone Scientifique Louis NeelGrenobleFrance
  5. 5.LAMS (Laboratoire d’Archéologie Moléculaire et Structurale) UMR-8220Ivry-sur-SeineFrance
  6. 6.SLAC National Accelerator LaboratoryMenlo ParkUSA

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