Butterfly inclusions in Van Schrieck masterpieces. Techniques and optical properties

Abstract

Dutch painter Otto Marseus Van Schrieck (1619–1678) is famous for his invention of “sottobosco”. These specific still-life paintings are characterized by the presence of various living organisms (mainly insects and plants) directly on the canvas. We will focus our attention on the painting kept in the museum of Grenoble, France, where a real butterfly is pasted on the canvas. The actual butterfly is a common Nymphalidae, Inachis io, presented in a static position on the dorsal side, without any perspective, compared to the neighboring butterflies. The colors of this butterfly are mainly due to pigments, melanin (black to brown) and ommochromes (yellow, orange, red) often in granules configuration that introduce scattering of light superimposed to the classical selective absorption, except in the ocelli of the hind wings where the blue coloration is due to interferential effects.

The nearly perfect refraction index equality between the varnish and the chitin, the main constituent of the butterfly wings, deeply affects its colors. This leads the artist to a final intervention in some parts of the wings, revealed by microscope observation.