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AI & SOCIETY

, Volume 32, Issue 2, pp 301–305 | Cite as

Hermeneutics of Technologically Mediated Listening

Don Ihde, Listening and Voice: Phenomenologies of Sound, Second Edition, SUNY Press, 2007. Hardcover—296 pages $86.50; Paperback—296 pages $33.95
Book Review
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References

  1. Ihde D (1983) Existential technics. SUNY Press, AlbanyGoogle Scholar
  2. Ihde D (2001) Shapes, Surfaces, and Interiors, Soundscape. J Acoustic Ecol 11(1):16–17 (ISSN 1607–3304) Google Scholar
  3. Ihde D (2007) Technologies-musics-embodiments. In: Janus Head, vol 10, 3rd edn. Trivium Publications, Amherst, NY, pp 7–24Google Scholar
  4. Ihde D (2012) ‘Cartesianism’ Redux or Situated Knowledges. Found Sci 17:369–372. doi: 10.1007/s10699-011-9243-x CrossRefGoogle Scholar
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  6. Ihde D (2016) Husserl’s Missing Technologies (Perspectives in Continental Philosophy). Fordham University Press, BronxCrossRefGoogle Scholar
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  8. Magnusson T (2009) Of epistemic tools: musical instruments as cognitive extensions. Organised Sound 14(2):168–176 (ISSN 1355–7718) CrossRefGoogle Scholar
  9. Pinch T (2006) Voices in the electronic music synthesizer: an essay in honor of Don Ihde. In: Selinger E (ed) Postphenomenology: a critical companion to Ihde, SUNY Press, Albany, New York, pp 49–66Google Scholar
  10. Selinger E (2005) Don Ihde. In: Shook JR (ed) Dictionary of modern american philosophers, vol 4, Thoemmes Continuum, pp 1206–1208Google Scholar
  11. Sobchack V (1992) The address of the eye. A phenomenology of film experience. Princeton University Press, PrincetonGoogle Scholar
  12. Sudnow D (1979) Talk’s body: a meditation between two keyboards. Knopf, New YorkGoogle Scholar

Copyright information

© Springer-Verlag London 2017

Authors and Affiliations

  1. 1.Central University of Tibetan StudiesVaranasiIndia

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