Abstract
European colonization of North America had its origins in the expansion of European capitalism. But, on the ground, what occurred during the 16th and 17th centuries was the encountering of certain European nations by certain native peoples. Our present field of interest is the particular nature of the encounter between Amerindians and the French, expressed in cultural métissage (mixture or hybridity) and political alliances, since this interaction contains all the ingredients that would lend distinctive colors to the new colonial societies. Exploration of European-Amerindian contacts on the part of archaeologists has already resulted in numerous studies focused on the economy, particularly with respect to the fur trade, or on the newcomers’ adaptations to a different environment. For the past few years, however, the author has attempted to approach the issue from another angle, that of representations. It is hoped that this approach will lead to a better understanding of the encounter and shed light on the elusive perceptions of that encounter deep in the minds of the actors involved. The thesis presented here is that a true compatibility existed between representations of the world by the French and by the Amerindians, that this compatibility explains the special nature of the relation between the two groups, and, finally, that the archaeological remains left behind by the two groups lend support to the argument for compatibility, enabling the author to make an original contribution to the comprehension of this encounter. The problem of colonial origins in New France may be approached within a dynamic framework whose main stages are linked one to another in time and space, from Europe to North America: the departure, the passage, the encounter, the contact, the exchange, and the métissage.
Similar content being viewed by others
References
Alewyn, Richard 1964 L’univers du baroque. Éditions Gonthier, Geneva, Switzerland.
Axtell, James 1988 After Columbus: Essays in the Ethnohistory of Colonial North America. Oxford University Press, New York.
Boas, Franz 1955 Primitive Art. Dover Publications, New York.
Brain, Jeffrey P. 1979 Tunica Treasure. Papers of the Peabody Museum of Archaeology and Ethnology, 71. Harvard University, Cambridge, MA.
Braudel, Fernand 1979 Le temps du monde: Civilisation matérielle, économie et capitalisme, vol. 3. Armand Collin, Paris, France.
Braudel, Fernand 1997 Expansion européenne et capitalisme (1450–1650). In Les ambitions de l’histoire: Les écrits de Fernand Braudel, vol. 2, Roselyne de Ayala and Paule Braudel, editors, pp. 299–345. Éditions de Fallois, Paris, France.
Côté, Hélène 2001 Le site de la Nouvelle Ferme à l’Île aux Oies. Doctoral dissertation (Archéologie), Département d’histoire, Université Laval, Québec, PQ.
Davis, Natalie Zemon 2001 Polarities, Hybridities: What Strategies for Decentering? In Decentering the Renaissance: Canada and Europe in Multidisciplinary Perspective, 1500–1700, G. Warkentin and C. Podruchny, editors, pp. 19–32. University of Toronto Press, Toronto, ON.
Delâge, Denys 1985 Le pays renversé. Boréal Express, Montréal, PQ.
Dickason, Olive P. 1974 Indian Arts in Canada. Indian and Northern Affairs, Ottawa, ON.
Dubois, Claude-Gilbert 1995 Le baroque en Europe et en France. Presses universitaires de France, Paris, France.
Dubois, Paul-André 1997 Naissance du cantique en langue vernaculaire dans les missions de la Nouvelle-France et conquête des langues amérindiennes. Recherches amérindiennes au Québec, 27(2):19–31.
Dupont, Jean-Claude 1979 L’artisan forgeron. Les Presses de l’Université Laval, Québec, PQ.
Fox, Edward Whiting 1971 History in a Geographic Perspective: The Other France. Norton, New York.
Gaier, Claude, and De Pietro Sabatti 1998 Les plus belles gravures d’armes de chasse. Hatier, Paris, France.
Gaimster, David 1997 German Stoneware, 1200–1900. British Museum Press, London, UK.
Genêt, Nicole 1996 La faïence de Place Royale. Collection patrimoine, dossier 45. Ministère de la Culture et des Communications, Québec, PQ.
Glassie, Henry 1972 Folk Art. In Folklore and Folklife: An Introduction, Richard M. Dordson, editor, pp. 253–280. University of Chicago Press, Chicago, IL.
Gruzinski, Serge 1991 L’Amérique de la conquête peinte par les Indiens du Mexique. Flammarion, Paris, France.
Gusler, Wallace B., and James D. Lavin 1977 Decorated Fire Arms, 1540–1870, from the Collections of Clay P. Bedford. Colonial Williamsburg Foundation, Williamsburg, VA.
Guy, Camil 1969 L’Art décoratif des Indiens de l’Est. Culture vivante, 14:9–18.
Huizinga, Johan 1971 Homo Ludens. Paladin, London, UK.
Jacquin, Philippe 1996 Les Indiens blancs. Libre Expression, Montréal, PQ.
Lévi-Strauss, Claude 1991 Histoire de Lynx. Plon, Paris, France.
Moussette, Marcel 2001 Les garnitures de fusils de traite des magasins du roi à Québec: un autre chemin de l’univers baroque en Amérique du Nord. Archéologiques, 14:50–78.
Moussette, Marcel 2002 Les médailles religieuses, une forme de l’imagerie baroque en Nouvelle-France. Les Cahiers des Dix, 55:295–329.
Muchembled, Robert 1995 Culture et société en France du début du XVIe siècle au milieu du XVIIe siècle. Sedes, Paris, France.
Musée du Québec et Musée National de la Marine 2001 Les génies de la mer. Musée du Québec, Québec, PQ, and Musée National de la Marine, Paris, France.
Neitzel, Robert S. 1965 Archaeology of the Fatherland Site: The Grand Village of the Natchez. Anthropological Papers of the American Museum of Natural History, 51(1).
Pacquier, Alain 1996 Les chemins du baroque dans le Nouveau Monde. Fayard, Paris, France.
Phillips, Ruth B. 1987 Like a Star I Shine: Northern Woodland Artistic Traditions. In The Spirit Sings, Glenbow-Alberta Institute, editor, pp. 51–92. McCelland and Stewart, Toronto, ON.
Pichette, Jean-Pierre 1995 Le Lynx et le Renard: Un relais déroutant dans la transmission du conte populaire français en Ontario. Cahiers Charlevoix, 6:169–240.
Porter, John A. 1975 L’art de la dorure au Québec du XVIIe siècle à nos jours. Éditions Garneau, Québec, PQ.
Rinehart, Charles J. 1990 Crucifixes and Medallions: Their Role at Fort Michilimackinac. Volumes in Historical Archaeology, 11. South Carolina Institute of Archaeology and Anthropology, University of South Carolina, Columbia.
Rousseau, Jacques 1956 L’origine du motif de la double courbe dans l’art algonkin. Anthropologica, (2):218–221.
Savard, Rémi 1969 Les Indiens de l’Est du Canada et leur art. In Chefsd’oeuvre des arts indiens et esquimaux du Canada, n.p. Société des amis du Musée de l’Homme, Paris, France.
Savard, Rémi 1977 Destins d’ Amérique, les autochtones et nous. L’hexagone, Montréal, PQ.
Speck, Frank G. 1914 The Double-Curve Motive in Northeastern Algonkian Art. In Geological Survey of Canada, Memoir 42 (No. 1 of the Anthropological Series). Department of Mines, Ottawa, ON.
Tapié, Victor L. 1957 Baroque et classicisme. Plon, Paris, France.
Venner, Dominique 1979 Les armes à feu françaises. Jacques Grancher, Paris, France.
Wallerstein, Immanuel 1980 The Modern World-System II: Mercantilism and the Consolidation of the European World-Economy, 1600–1750. Academic Press, New York.
Walthall, John A. 1991 French Colonial Fort Massac: Architecture and Ceramic Patterning. In French Colonial Archaeology: The Illinois Country and the Western Great Lakes. John A. Walthall, editor, pp. 42–64. University of Illinois Press, Urbana.
White, Richard 1991 The Middle Ground: Indians, Empires, and Republics in the Great Lakes Region, 1650–1815. Cambridge University Press, Cambridge, UK.
Whitehead, Ruth H. 1987 I Have Lived Here Since the World Began: Atlantic CoastArtistic Traditions. In The Spirit Sings, Glenbow-Alberta Institute editor, p. 17–49. McClelland and Stewart, Toronto, ON.
Wolf, Eric 1982 Europe and the People without History. University of California Press, Berkeley.
Author information
Authors and Affiliations
Rights and permissions
About this article
Cite this article
Moussette, M. An Encounter in the Baroque Age: French and Amerindians in North America. Hist Arch 37, 29–39 (2003). https://doi.org/10.1007/BF03376621
Published:
Issue Date:
DOI: https://doi.org/10.1007/BF03376621