Skip to main content
Log in

The Pallava paintings at Conjeevaram—An investigation into the methods

  • Published:
Proceedings of the Indian Academy of Sciences - Section A Aims and scope Submit manuscript

This is a preview of subscription content, log in via an institution to check access.

Access this article

Price excludes VAT (USA)
Tax calculation will be finalised during checkout.

Instant access to the full article PDF.

References

  1. Nature, 1938,142, 757.

  2. C. Minakshi, “Administration and Social Life under the Pallavas” (Madras University), 1938, p. 117. N. Venkataramanayya, “The Date of Nandivarman Pallavamalla,”Jour. Ori. Research,8, p. 1ff. For other dates,vide Prof. Jouveau Dubreuil, Ancient History of the Deccan, (Pondicherry: Modern Press), 1920, p. 70.

  3. “A Discovery of Some Ancient Paintings of Southern India,”The Students’ Own Magazine, Calve College, (Pondicherry: 1931,1, No. 2). T. N. Ramachandran, “The Royal Artist Mahendravarman I,” (Reprinted fromthe Journal of Oriental Research, Madras), pp. 27–28. C. Sivaramamurti, “Paintings from the Kailasanatha Temple,”Jour. Ori. Research, Madras, (1938),11, pp. 73–76.

  4. Daniel V. Thompson, “The Materials of Medieval Painting” (Yale University Press: New Haven), 1936, pp. 43–47.

    Google Scholar 

  5. —,Loc. cit., “, p. 39.

    Google Scholar 

  6. S. Paramasivan, “The Mural Paintings in the Brihadisvara Temple at Tanjore—An Investigation into the Method,”Technical Studies (Harvard), 1936-37,5, 224.

    Google Scholar 

  7. —, “Technique of the Painting Process in the Temple of Vijayalaya Cholisvanam in the Pudukkottai State,”Proc. Ind. Acad. Sci., 1938,7, p. 284.

    Google Scholar 

  8. Norman G. Comber, “An Introduction to the Scientific Study of the Soil” (Arnold), 1927, pp. 48–49. G. W. Robinson, “Soils: Their Origin, Constitution and Classification” (Murby), 1932, pp. 12–13.

  9. J. W. Mellor, “A Comprehensive Treatise on Inorganic and Theoretial Chemistry (Longmans, Green & Company, 1923),3, 677.

  10. Proc. Ind. Acad. Sci.,7, 286.

  11. Loc. cit., Proc. Ind. Acad. Sci.,7, p. 288.

  12. Max Dœrner, “The Materials of the Artist and their Use in Painting,” translated. (New York: Harcourt, Brace & Company), 1934, p. 269.

    Google Scholar 

  13. Technical Studies (Harvard), 1936–37,5, p. 231.

  14. A. P. Laurie, Greek and Roman Painting (Cambridge University Press), 1910, p. 75–86.

  15. Proc. Ind. Acad. Sci., 1938,7, 286–87.

  16. Technical Studics (Harvard), 1936–37,5, 230–31.

  17. William Ostwald, “Iconoscopic Studies (Microscopic Identification of Homogeneous Binding Mediums) translated,”Technical Studies, 1935-36,4, pp. 135–44.

    Google Scholar 

  18. Martin de Wild, The Scientific Examination of Pictures, (London: G. Bell & Sons, Ltd), 1929. R. G. Gettens and G. L. Stout, “The Stage Microscope in the Routine Examination of Paintings,”Technical Studies (Harvard), 1936–37,4, 224–28.

    Google Scholar 

  19. William Ostwald,Loc. cit., “.

    Google Scholar 

  20. Mary Hamilton Swindler, Ancient Painting (New Haven: Yale University Press), 1929, p. 418.

    Google Scholar 

  21. Technical Studies (Harvard University), 1936–37,5, p. 234.

  22. Loc. cit., Technical Studies (Harvard University), 1936–37,5, p. 233.

  23. Loc. cit., Technical Studies (Harvard University), 1936–37,5, pp. 237–240.

Download references

Author information

Authors and Affiliations

Authors

Rights and permissions

Reprints and permissions

About this article

Cite this article

Paramasivan, S. The Pallava paintings at Conjeevaram—An investigation into the methods. Proc. Indian Acad. Sci. (Math. Sci.) 10, 77 (1939). https://doi.org/10.1007/BF03170992

Download citation

  • Received:

  • DOI: https://doi.org/10.1007/BF03170992

Keywords

Navigation