References
Le Più Antiche Pitture del Sahara (Earte délie Teste Rotonde). ByUmberto Sansoni. Jaca Book, Milano, 1994, 325 pp. ISBN 88-16-40336-5.
Les Images Rupestres du Sahara (Collection Préhistoire du Sahara 1).By Alfred Muzzolini. Toulouse, 1995, 447 pp. ISBN 2-9509364-0-7.
References
Anati, E. (1993). Arte rupestre: Archivio di documenti per la ricostruzione storica. In Calegari, G. (ed.),L’Arte e l’Ambiente del Sahara Preistorico: Dati e Interpretazioni, Museo Civico di Storia Naturale, Milano, pp. 53–60.
Calegari, G. (ed.) (1993).L’Arte e l’Ambiente del Sahara Preistorico: Dati e Interpretazioni, Museo Civico di Storia Naturale, Milano.
Conkey, M. W. (1989). The structural analysis of Palaeolithic Art. In Lamberg-Karlovski, C. C. (ed.),Archaeological Thought in America, Cambridge University Press, Cambridge, pp. 135–154.
Conkey, M. W. (1990). Experimenting with style in archaeology: some historical and theoretical issues. In Conkey, M. W., and Hastorf, C. A. (eds.),The Uses of Style in Archaeology, New Directions in Archaeology, Cambridge University Press, Cambridge, pp. 5–17.
Davis, W. (1984). Representation and knowledge in the prehistoric rock art of Africa.African Archeological Review 2: 7–35.
Davis, W. (1990). Style and history in art history. In Conkey, M. W., and Hastorf, C. A. (eds.),The Uses of Style in Archaeology, New Directions in Archaeology, Cambridge University Press, Cambridge, pp. 18–31.
Dutour, O. (1991). Peuplement du Sahara au Pléistocène Supérieur. Le point de vue paléoanthropologique. In Tillet, T. (ed.),Paléomilieux et Peuplement Préhistorique Saharien au Pléistocène Supérieur, Colloque de Solignac, Juin 1991, pp. 1–11.
Franklin, N. R. (1986). Stochastic vs. emblemic: An archaeologically useful method for the analysis of style in Australian rock art.Rock Art Research 3(2): 121–124.
Gellner, E. (1982). What is structuralism? In Renfrew, C., Rowlands, M., and Seagraves, B. A. (eds.),Theory and Explanation in Archaeology, Academic Press, New York, pp. 97–123.
Hassan, F. A. (1993). Rock Art. Cognitive schemata and symbolic interpretation, a matter of life and death. In Calegari, G. (ed.),L’Arte e l’Ambiente del Sahara Preistorico: Dati e Interpretazioni, Museo Civico di Storia Naturale, Milano, pp. 269–282.
Holl, A. (1994). Pathways to elderhood. Research on past pastoral iconography: The paintings from Tikadiouine (Tassili-n-Ajjer).Origini 18: 69–113.
Le Quellec, J. L. (1993).Symbolisme et Art Rupestre au Sahara, L’ Harmattan, Paris.
Leclant, J., and Huard, P. (1980).La Culture des Chasseurs du Nil et du Sahara, Mémoires du CRAPE (XXIX), Alger.
Muzzolini, A. (1986).L’art Rupestre Préhistorique des Massifs centraux Sahariens, British Archaeological Reports, Int. Ser. 318, Oxford.
Sansoni, U. (1993). Peculiarita’ e ruoli scenici delle figure maschili e femminili nell’arte delle Teste Rotonde. In Calegari, G. (ed.),L’Arte e l’Ambiente del Sahara Preistorico: Dati e Interpretazioni, Museo Civico di Storia Naturale, Milano, pp. 453–466.
Schaafsma, P. (1985). Form, content, and function: Theory and method in North American rock art studies. In Schiffer, M. B. (ed.),Advances in Archaeological Method and Theory 8, Academic Press, New York, pp. 237–277.
Smith, A. B. (1993). New approaches to Saharan rock art. In Calegari, G. (ed.),L’Arte e l’Ambiente del Sahara Preistorico: Dati e Interpretazioni, Museo Civico di Storia Naturale, Milano, pp. 467–477.
Author information
Authors and Affiliations
Rights and permissions
About this article
Cite this article
Barich, B.E. Book review. African Archaeological Review 14, 125–133 (1997). https://doi.org/10.1007/BF02968370
Issue Date:
DOI: https://doi.org/10.1007/BF02968370