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References
Ralph M. Rosen (ed.),Time and Temporality in the Ancient World (Philadelphia: University of Pennsylvania Museum of Archaeology and Anthropology, 2004), VII + 216 pp.
Lloyd Llewellyn-Jones,Aphrodite’s Tortoise: The Veiled Woman in Ancient Gree (Swansea, Wales: Classical Press of Wales, 2003), X + 358 pp.
Susan Guettel Cole,Landscapes, Gender, and Ritual Space. The Ancient Greek Experience (Berkeley, Los Angeles, London: University of California Press, 2004), XIV + 292 pp.
Martha L. Rose,The Staff of Oedipus: Transforming Disability in Ancient Greece, ser. Corporalities (Ann Arbor: University of Michigan Press, 2003), IX + 154 pp.
I. M. Plant,Women Writers of Ancient Greece and Rome: an anthology (London: Equinox Publishing Ltd.; Norman, OK: University of Oklahoma Press, 2004), VIII + 268 pp.
David Mulroy, translation and commentary,The Complete Poetry of Catullus (Madison, WI: University of Wisconsin, 2002), XLIV + 110 pp.
Tony Perrottet,Patat Holiday: On the trail of ancient Roman tourists (New York: Random House Trade Paperback Edition 2003), XIII + 393 pp.
Christopher A. Frilingos,Spectacles of Empire: Monsters, Martyrs, and the Book of Revelation, ser. Divinations (Philadelphia: University of Pennsylvania Press, 2004), VII + 184 pp.
Andrea Sterk,Renouncing the World Yet Leading the Church: The Monk-Bishop in Late Antiquity (Cambridge: Harvard University Press, 2004), VIII + 360 pp.
John A. Scott,Understanding Dante, The William and Katherine Devers Series in Dante Studies 6 (Notre Dame: University of Notre Dame Press, 2004), XXXI + 466 pp.
Anne Derbes and Mark Sandona (eds.),The Cambridge Companion to Giotto (Cambridge and New York: Cambridge University Press, 2004), XIX + 313 pp.
Stephen J. Campbell, and Stephen J. Milner (eds.),Artistic Exchange and Cultural Translation in the Italian Renaissance City (Cambridge and New York: Cambridge University Press, 2004), XIV + 371 pp.
Margaret A. Gallucci,Benvenuto Cellini: Sexuality, Masculinity, and Artistic Identity in Renaissance Italy (New York: Palgrave, 2003), XVI + 214 pp.
Tom Huhn,Imitation and Society: The Persistence of Mimesis in the Aesthetics of Burke, Hogarth, and Kant (University Park: Pennsylvania State University Press, 2004), VII + 215 pp.
Keala Jewell,The Art of Enigma: The de Chirico Brothers & The Politics of Modernism, Ser. New Modernisms Series (University Park: Pennsylvania State University Press, 2004), IX + 237 pp.
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Notes
The concept ofaidos has been discussed frequently in modern literature: John H. Oakley and Rebecca H. Sinos,The Wedding in Ancient Athens (Madison, WI: University of Wisconsin Press, 1993). Ellen Reeder (ed.),Pandora. Women in Classical Greece (Baltimore, MD: Trustees of the Walters Art Gallery, in association with Princeton University Press, Princeton, NJ, 1995). Gloria Ferrari,Figures of Speech: Men and Maidens in Ancient Greece (Chicago: University of Chicago Press, 2002).
Llewellyn-Jones is the editor ofWomen’s Dress in the Ancient Greek World (London: Duckworth; Swansea: Classical Press of Wales, 2002), andThe Clothed Body in the Ancient World (Oxford: Oxbow, 2005).
American Journal of Archaeology 35 (1931), pp. 373–393.
France, amid much controversy, has recently banned it in its schools.
Basic are Luigi Beschi. “Divinità funerarie cirenaiche,”Annuario della Scuola Archeologica di Atene e delle Missioni Italiane in Oriente 31/2 (1969-70), pp. 133–341, and S. Wanis, “Two Funerary Statues at Cyrene,”Libyan Studies 9 (1977–78), pp. 47–49, not in the bibliography. I owe these references to Jamieson Donati.
Larissa Bonfante, “Nudity as Costume in Classical Art,”American Journal of Archaeology 93 (1989), pp. 543–570;Etruscan Dress, 2nd edition (Baltimore: Johns Hopkins University Press, 2003). Raffaella Bonaudo,La culla di Hermes. Iconografia e immaginario delle hydriai ceretane (Rome: L’Erma di Bretschneider, 2004), p. 65.
Judith Sebesta, Larissa Bonfante (eds.),The World of Roman Costume (Madison, WI: University of Wisconsin Press, 1994), 13 (Stone), 140 (Heskell). Andrew Bolton,Bravehearts: Men in Skirts (London: V & A Publications, New York: Distributed by Harry N. Abrams, 2003), pp. 61–62.
Sarah Pomeroy,Spartan Women (New York: Oxford University Press, 2002). I have profited from discussions with Mary Knight on Islamic customs, and Andrew Lear on male courtship scenes in Greek art.
Notes
Béatrice Caseau brought to my attention the little-known book by P. R. Oliger, Les évÊques réguliers. Recherches sur leur condition juridique depuis les origines du monachisme jusqu’à la fin du Moyen-Age, Museum Lessianum. Section historique 18 (Paris-Leuven: Desclée de Brouwer 1958), which, however, addresses the question mainly from a canonical point of view.
‘Miaphysite’ (from the expression mia phusis) is a term used by several scholars today to replace ‘Monophysite’, which is deemed theologically less accurate and thus unacceptable, in particular to members of the non-Chalcedonian churches: see D. W. Winkler, ‘Miaphysitism. A new term for use in the history of dogma and in ecumenical theology’, The Harp 10 (1997) 33–40. (I am indebted to Sebastian Brock and Volker Menze for this reference.)
Notes
For my own challenge, with fuller discussion of several points germane to this review, see The Aesthetics of Mimesis: Ancient Texts and Modern Problems (Princeton: Princeton University Press, 2002).
Notes
Cf. Rosemary Barrow “From Praxiteles to de Chirico: Art and Reception,” International Journal of the Classical Tradition 11 (2004–2005), pp. 344–368.
John Baxter, Steven Spielberg: The Unauthorised Biography (London: HarperCollins, 1996), pp. 381–394.
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Dunn, F.M., Bonfante, L., Pirenne-Delforge, V. et al. Book reviews. IJCT 13, 281–327 (2006). https://doi.org/10.1007/BF02856296
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DOI: https://doi.org/10.1007/BF02856296