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References
See now also I. Howland,The Paradox of Political Philosophy: Socrates’ Philosophical Trial (Lanham, MD: Rowan & Littlefield, 1998).
[For a recent critical perspective on this concept see in this journal John Marenbon’s review article “Humanism, Scholasticism, and the School of Chartres” on R.W. Southern’sScholastic Humanism and the Unification of Europe,I.Foundations (Cambridge 1995),IJCT 6 (1999/2000), 569–577, esp. p. 570.—W.H.]
[On the problems concerning the school of Chartres in the twelfth century see in this journal John Marenbon’s review article “Humanism, Scholasticism, and the School of Chartres” on R. W. Southern’s,Scholastic Humanism and the Unification of Europe,I.Foundations (Cambridge 1995),IJCT 6 (1999/2000), 569–577.—W.H.]
Handbuch der deutschen Bildungsgeschichte, ed. Christa Berg u.a., Bd.1:15. bis 17. Jahrhundert: Von der Renaissance und der Reformation biz zum Ende der Glaubenskämpfe, ed. N. Hammerstein (München: Verlag C.H. Beck, 1996).
Since this review was submitted Penguin have published Leonard’sParadise Lost as a separate edition based on his 1998Complete Poems (London, New York & Toronto: Penguin Books, 2000).
Milton,Paradise Lost, ed. A. Fowler, 2nd ed., ser. Longman Annotated English Poets (London: Longman, 1998), and Id.,Complete shorter poems, ed. J. Carey, 2nd ed., ser. Longman Annotated English Poets (London: Longman, 1997) (originally:The Poems of John Milton, ed. J. Carey and A. Fowler [Harlow: Longman, 1968]).
The Complete Poems, On Education, Areopagitica, ed., with introduction and notes by G. Campbell, 4th ed., ser. Everyman’s Library (London: J. M. Dent; New York: E.P. Dutton, 1990).
The Riverside Milton, ed. R. Flannagan (Boston: Houghton Mifflin, 1998).
Milton,Complete Poems and Major Prose, ed. M.Y. Hughes (New York: Odyssey Press, 1957).
John Milton, ed. J. Goldberg and S. Orgel, ser. The Oxford poetry library (Oxford & New York: Oxford University Press, 1994).
Dr. Robert Creighton’s reminiscences in the Trinity College Muniments, “Great Volume of Miscellany Papers III”, no. 42 (quoted in J. Winn,John Dryden and his World [New Haven and London: Yale University Press, 1987], p. 67f. with n. 34).
InJohn Dryden and his World, pp. 417–421.
T.S. Eliot,Homage to John Dryden. Three Essays on Poetry of the Seventeenth Century (London, 1924), 22f.; Id.,John Dryden, the Poet, the Dramatist, the Critic. Three Essays (New York, 1932), 34.
W.H. Auden, “Introduction”, in: Id. (ed.),A Choice of Dryden’s Verse (London, 1973), 9.
Representative of this criticism is the perceptive judgment of Eduard Sekler,Wren and his Place in European Architecture (New York: 1956), 185.
Sekler, 185.
[Reviewed in this journal by Myrto Dragona-Monachou,IJCT 1.3 (Winter 1995), 157–160.—W.H.]
... hast Du den Wilamo-Wisch (oder Wilam Ohne witz?) gelesen? Welch übermühthig-jüdisch angekränkeltes Bürschechen! Es bekommt aber Prügelchen! Ist nicht zu hindern!”, letter to Gustoav Krug, 24 July 1872, in: Nietzsche,Briefwechsel. Kritische Gesamtausgabe, II 3.Briefe von Nietzsche: Mai 1872–Dezember 1874, edited by giorgio Colli and Mazzino Monitinari (Berlin and New York 1978), Nr. 242, pp. 29–31, here p. 30, lines 47–50.
Probably not, since, as Prof. Wolfgang Haase, the editor of this journal, advises me, it is a common Swabian dialect-form of the name of the city, playfully used by Schmidt shortly after a visit there.
Never cited is Friedrich von der Leyen, “Erich Schmidt” in:Schulpforte und das deutsche Geistesleben, edited by Hans Gehrig (Darmstadt 1943) 131–135. Schmidt began his studies as a classicist but was won for Germanistik by Wilhelm Scherer. Cf.Wilhelm Scherer—Erich Schmidt: Briefwechsel, mit einer Bibliographie der Schriften von Erich Schmidt, hrsg. von Werner Richter u. Eberhard Lämmert (Berlin (1963).
Prof. Haase notes: The phrase is certainly not of ancient origin. It occurs for the first time as a motto to a Roman painting by Guercino from the years between 1621 and 1623, for whom, according to the contemporary author Giovanni Bellori, it was “invented” by his patron the humanistically educated Jesuit poet Giulio Rospigliosi, later (1667–69) Pope Clement IX. This and the meaning of the phrase in its described context were clarified by Erwin Panofsky in the article “Et in Arcadia ego: On the Conception of Transience in Poussin and Watteau,” in: R. Klibansky & H. J. Paton (eds.),Philosophy and History. Essays Presented to Ernst Cassirer (Oxford 1936) 223–54, revised under the title “Et in Arcadia ego: Poussin and the Elgaic Tradition,” in Panofsky,Meaning in the visual Arts (Barden Cilty, N.Y. 1955, repr. Chicago 1982) 295–320, here 304ff.
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McInerney, J., Hofmeister, T.P., Montiglio, S. et al. Book reviews. Int class trad 7, 583–651 (2001). https://doi.org/10.1007/BF02688460
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DOI: https://doi.org/10.1007/BF02688460