References
J. D'Alembert.Elémens de Musique, Lyon, 1772.
Allen Forte. “Computer-Implemented Analysis of Musical Structure.” In:Papers from the West Virginia University Conference on Computer Applications in Music, West Virginia University Library, Morgantown, 1967.
Milton Babbitt. “The Use of Computers in Musicological Research.”Perspectives of New Music, Vol. 3, No. 2, Spring-Summer, 1965. Also in Rutgers University Conference (Dec. 1964) on Computers in Humanistic Research (publ. by IBM). In fact, that is a corrected version of thePerspectives paper.
Lejaren A. Hiller and Leonard M. Isaacson.Experimental Music; Composition with an electronic computer, McGraw-Hill Book Co., New York, 1959.
James C. Tenney. “Sound Generation by Means of a Digital Computer.”Journal of Music Theory, Vol. 7, No. 1, Spring, 1963.
J. K. Randall, “A Report from Princeton.”Perspectives of New Music, Vol. 3, No. 2, Spring-Summer, 1965.
Ercolino Ferretti. “The Computer as a Tool for the Creative Musician.” In:Computers for the Humanities?; A Record of the Conference Sponsored by Yale University on a Grant from IBM January 22–23, 1965, Yale University Press, New Haven, 1965.
Edmund A. Bowles, comp. “Computerized Research in the Humanities: A Survey,”ACLS Newsletter, Special Supplement, June, 1966.
Barry S. Brook. “RILM Répertoire International de la Littérature Musicale,”CHum, Vol. 1, No. 3, Jan. 1967.
Stefan Bauer-Mengelberg and Melvin Ferentz. “On Eleven-Interval Twelve-Tone Rows,”Perspectives of New Music, Vol. 3, No. 2, Spring-Summer, 1965.
Michael Kassler, “A Sketch of the Use of Formalized Languages for the Assertion of Music,”Perspectives of New Music, Vol. 1, No. 2, Spring-Summer, 1963.
Hubert S. Howe. “Some Combinatorial Properties of Pitch Structures,”Perspectives of New Music, Vol. 4, No. 1, Fall-Winter, 1965.
Allen Forte. “A Program for the Analytic Reading of Scores,”Journal of Music Theory, Vol. 10, No. 2, Winter, 1966.
John Rothgeb. “Some Uses of Mathematical Concepts in Theories of Music,”Journal of Music Theory, Vol. 10, No. 2, Winter, 1966.
Additional information
Allen Forte is the author of Tonal Harmony in Concept and Practice.An extended version of this article will be read on November 15, 1967 at the Fall Joint Computer Conference, Anaheim, California, and will be published in its Proceedings.
Rights and permissions
About this article
Cite this article
Forte, A. Music and computing: The present situation. Comput Hum 2, 32–35 (1967). https://doi.org/10.1007/BF02402463
Issue Date:
DOI: https://doi.org/10.1007/BF02402463