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Metaphysics and literature in Tymieniecka'sPoetica Nova

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Literatur

  1. ”Poetica Nova, The Creative Crucibles of Human Existence and of Art, a Treatise in the Metaphysics of the Human Condition and of Art”,Analecta Husserliana, XII (1982), pp. 1–96.

  2. Anna-Teresa Tymieniecka, “The Creative Self and the Other in Man's Self-Interpretation”,Analecta Husserliana VI (1977), p. 184.

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  3. Poetica Nova, The Creative Crucibles of Human Existence and of Art, a Treatise in the Metaphysics of the Human Condition and of Art,Analecta Husserliana, XII (1982), p. 78.

  4. Ibid., “Poetica Nova, The Creative Crucibles of Human Existence and of Art, a Treatise in the Metaphysics of the Human Condition and of Art,Analecta Husserliana, XII (1982), p. 29; see also: Anna-Teresa Tymieniecka,Eros et Logos: Esquisse de la phénoménologie de l'intériorité créatrice, (Louvain: Nauvelearts, 1964).

  5. Ibid.. p. 63.

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  6. “Aesthetic Enjoyment,” lecture at Michigan State University, February 1983, p. 25.

  7. Poetica Nova, The Creative Crucibles of Human Existence and of Art, a Treatise in the Metaphysics of the Human Condition and of Art,Analecta Husserliana, XII (1982), p. 62.

  8. Ibid., “Poetica Nova, The Creative Crucibles of Human Existence and of Art, a Treatise in the Metaphysics of the Human Condition and of Art”,Analecta Husserliana, XII (1982), pp. 30, 47.

  9. Ibid., “Poetica Nova, The Creative Crucibles of Human Existence and of Art, a Treatise in the Metaphysics of the Human Condition and of Art”,Analecta Husserliana, XII (1982), p. 16. For the conception of the ‘cipher’ as the sense-forming moment in man's self-interpretation in existence cf. ‘The Creative Self and Man's Self-Interpretation’,Analecta Husserliana, VI (1977), p. 173.

  10. Ibid., For the conception of the ‘cipher’ as the sense-forming moment in man's self-interpretation in existence cf. ‘The Creative Self and Man's Self-Interpretation’,Analecta Husserliana, VI (1977), p. 64.

  11. Ibid., For the conception of the ‘cipher’ as the sense-forming moment in man's self-interpretation in existence cf. ‘The Creative Self and Man's Self-Interpretation’,Analecta Husserliana, VI (1977), p. 51.

  12. Ibid., For the conception of the ‘cipher’ as the sense-forming moment in man's self-interpretation in existence cf. ‘The Creative Self and Man's Self-Interpretation’,Analecta Husserliana, VI (1977), p. 54.

  13. Ibid., For the conception of the ‘cipher’ as the sense-forming moment in man's self-interpretation in existence cf. ‘The Creative Self and Man's Self-Interpretation’,Analecta Husserliana, VI (1977), p. 63.

  14. Ibid., For the conception of the ‘cipher’ as the sense-forming moment in man's self-interpretation in existence cf. ‘The Creative Self and Man's Self-Interpretation’,Analecta Husserliana, VI (1977), p. 173.

  15. Ibid., For the conception of the ‘cipher’ as the sense-forming moment in man's self-interpretation in existence cf. ‘The Creative Self and Man's Self-Interpretation’,Analecta Husserliana, VI (1977), p. 73.

  16. Ibid., For the conception of the ‘cipher’ as the sense-forming moment in man's self-interpretation in existence cf. ‘The Creative Self and Man's Self-Interpretation’,Analecta Husserliana, VI (1977), p. 82.

  17. Ibid., For the conception of the ‘cipher’ as the sense-forming moment in man's self-interpretation in existence cf. ‘The Creative Self and Man's Self-Interpretation’,Analecta Husserliana, VI (1977), p. 53.

  18. Anna-Teresa Tymieniecka,Why is There Something Rather than Nothing? Assen: Van Gorcum, 1966; and “The Initial Spontaneity,”Analecta Husserliana, V (1976), 3–37.

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Kronegger, M. Metaphysics and literature in Tymieniecka'sPoetica Nova . Neohelicon 14, 61–69 (1987). https://doi.org/10.1007/BF02094672

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