Advertisement

Stages of capitalism: The business of American Jewish Dramatists

  • Stephen J. Whitfield
Article
  • 70 Downloads

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

Notes

  1. 1.
    C.W.E. Bigsby, “Drama as Cultural Sign: American Dramatic Criticism, 1945–1978,”American Quarterly 30: 3 (1978): 331, 332, 334.Google Scholar
  2. 2.
    Arthur Mann, “The Melting Pot,” inUprooted Americans: Essays to Honor Oscar Handlin, eds. Richard L. Bushman, Neil Harris et al. (Boston: Little, Brown, 1979), 292, 294, 309–10.Google Scholar
  3. 3.
    Quoted in Moira Hodgson, “Robbins Leaps From Ballet to Broadway,”New York Times, 10 February 1980, sec. 2.Google Scholar
  4. 4.
    Mann, “The Melting Pot,” 292–314; Neil Larry Shumsky, “Zangwill'sThe Melting Pot: Ethnic Tensions on Stage,”American Quarterly 27 (1975): 29–41; Kurt List, “Jerome Kern and American Operetta,”Commentary, May 1947, 433–41; Nathan Glazer and Daniel Patrick Moynihan,Beyond the Melting Pot: The Negroes, Puerto Ricans, Jews, Italians and Irish of New York City (Cambridge, MA: M.I.T. Press, 1963), 174.Google Scholar
  5. 5.
    Irving Howe, with Kenneth Libo,World of Our Fathers (New York: Simon & Schuster, 1976), 557.Google Scholar
  6. 6.
    Laurence Bergreen,As Thousands Cheer: The Life of Irving Berlin (New York: Viking, 1990), 314, 321, 380, 386–87, 409, 454–55, 581; Barry Singer,Black and Blue: The Life and Lyrics of Andy Razaf (New York: Schirmer, 1992), 216–19.Google Scholar
  7. 7.
    Philip Roth,Operation Shylock: A Confession (New York: Simon & Schuster, 1993), 157; Kenneth Aaron Kanter,The Jews on Tin Pan Alley: The Jewish Contribution to American Popular Music, 1830–1940 (New York: Ktav, 1982), 34–35, 117, 196.Google Scholar
  8. 8.
    Theodore H. White, InSearch of History: A Personal Adventure (New York: Harper & Row, 1978), 518, 523–24; Gene Lees,Inventing Champagne: The Worlds of Lerner and Loewe (New York: St. Martin's, 1990), 107, 205; Lou Cannon,President Reagan: The Role of a Lifetime (New York: Simon & Schuster, 1991), 56–57, 155.Google Scholar
  9. 9.
    Alexis de Tocqueville,Democracy in America, ed. Phillips Bradley (New York: Alfred A. Knopf, 1945), vol. 2, 162–71, 247–50, 267–68; Arthur Mitzman,Sociology and Estrangement: Three Sociologists of Imperial Germany (New York: Alfred A. Knopf, 1973), 251–54; Paul R. Mendes-Flohr, “Werner Sombart'sThe Jews and Modern Capitalism: An Analysis of its Ideological Premises,”Year Book of the Leo Baeck Institute, vol. 21 (London: Secker & Warburg, 1976), 87–107.Google Scholar
  10. 10.
    Gerald Weales,Odets the Playwright (New York: Metheun, 1985), 183–84.Google Scholar
  11. 11.
    Robert Warshow, “Clifford Odets: Poet of the Jewish Middle Class,” (1946) inThe Immediate Experience: Movies, Comics, Theatre and Other Aspects of Popular Culture (Garden City, NY: Doubleday Anchor, 1962), 30–31.Google Scholar
  12. 12.
    Clifford Odets,Six Plays (New York: Modern Library, 1939), 89, 95.Google Scholar
  13. 13.
    Ibid., 65; Warshow,The Immediate Experience, 23; R. Baird Shuman,Clifford Odets (New Haven, CT: Twayne, 1962), 55–65.Google Scholar
  14. 14.
    Lillian Hellman,An Unfinished Woman: A Memoir (Boston: Little, Brown, 1969), 4; idem,Collected Plays (Boston: Little, Brown, 1971), 183, 188, 206; Bonnie Lyons, “Lillian Hellman: ‘The First Jewish Nun on Prytania Street,’” inFrom Hester Street to Hollywood: The Jewish-American Stage and Screen, ed. Sarah Blacher Cohen (Bloomington: Indiana University Press, 1983), 106–22; William Wright,Lillian Hellman: The Image, the Woman (New York: Simon & Schuster, 1986), 17–18, 20–21, 146, 150, 154.Google Scholar
  15. 15.
    Abbie Hoffman,Soon to be a Major Motion Picture (New York: G. P. Putnam's Sons, 1980), 5.Google Scholar
  16. 16.
    Mary McCarthy,Sights and Spectacles, 1937–1956 (New York: Farrar, Straus & Cudahy, 1956), xv, xvi; Leslie Fiedler,Waiting for the End (New York: Stein & Day, 1964), 91.Google Scholar
  17. 17.
    Cynthia Ozick, “Toward a New Yiddish,” (1970) inArt and Ardor: Essays (New York: Alfred A. Knopf, 1983), 177.Google Scholar
  18. 18.
    George Ross, “Death of a Salesman in the Original,” (1951) in Arthur Miller,Death of a Salesman: Text and Criticism, ed. Gerald Weales (New York: Viking, 1967), 259, 261, 262, 263; Miller, Introduction toCollected Plays, in ibid., 161; Elia Kazan,A Life (New York: Alfred A. Knopf, 1988), 355–59.Google Scholar
  19. 19.
    Enoch Brater, “Ethics and Ethnicity in the Plays of Arthur Miller,” inFrom Hester Street to Hollywood, ed. Cohen, 124; Norman Mailer,Marilyn: A Biography (New York: Grosset & Dunlap, 1973), 159.Google Scholar
  20. 20.
    Miller, Introduction toCollected Plays, inDeath of a Salesman: Text and Criticism, ed. Weales, 170.Google Scholar
  21. 21.
    Carolyn Clay, “Mamet and Supermamet,”Boston Phoenix, 18 February 1986, sec. 3.Google Scholar
  22. 22.
    Quoted in James Kaplan, “Miller's Crossing,”Vanity Fair, November 1991, 246.Google Scholar
  23. 23.
    Larry Swindell,Body and Soul: The Story of John Garfield (New York: William Morrow, 1975), 110–11; Patricia R. Erens,The Jew in American Cinema (Bloomington: Indiana University Press, 1985), 182.Google Scholar
  24. 24.
    Jonathan Lieberson, “The Prophet of Broadway,”New York Review of Books, 21 July 1988, 3; Peter Brunette, “Mamet Views Cops Through a New Lens,”New York Times, 10 February 1991, sec. 2.Google Scholar
  25. 25.
    David Mamet,Speed-the-Plow (New York: Grove Weidenfeld, 1987), 56, 81–82.Google Scholar
  26. 26.
    Ellen Schiff,From Stereotype to Metaphor: The Jew in Contemporary Drama (Albany: State University of New York Press, 1982), 70–72; Miller, Introduction toCollected Plays, 161; Jerry Sterner, “Playwright, or Businessman?,”New York Times Magazine, 9 June 1991, 34.Google Scholar
  27. 27.
    Joseph A. Schumpeter,Capitalism, Socialism and Democracy, 3rd ed. (New York: Harper & Row, 1950), 132.Google Scholar
  28. 28.
    Strobe Talbott, “Why They Backed Bush,”Time, 23 November 1992, 51.Google Scholar
  29. 29.
    Quoted in Felicity Barringer, “U.S. Communists' Meeting Has Its Own Fractionalism,”New York Times, 9 December 1991.Google Scholar
  30. 30.
    Robert B. Reich,The Resurgent Liberal (And Other Unfashionable Prophecies) (New York: Random House, 1989), 15–16, 235; Phoebe Hoban, “The Family Wasserstein,”New York Times, 4 January 1993.Google Scholar
  31. 31.
    “Americana,”Time, 26 February 1979, 25.Google Scholar
  32. 32.
    Quoted in Kevin Phillips, “Down and Out: Can the Middle Class Rise Again?”,New York Times Magazine, 10 January 1993, 16.Google Scholar
  33. 33.
    Arthur Miller,Timebends: A Life (New York: Grove Press, 1987), 314; Wendy Wasserstein,The Heidi Chronicles and Other Plays (New York: Vintage, 1991), 232.Google Scholar
  34. 34.
    Wasserstein,The Heidi Chronicles and Other Plays, 62.Google Scholar
  35. 35.
    Quoted in Clay, “Mamet and Supermamet,”Boston Phoenix. Google Scholar
  36. 36.
    William A. Henry III, “The Gay White Way,”Time, 17 May 1993, 62–63; Reich,The Resurgent Liberal, 18.Google Scholar
  37. 37.
    Chaim Potok, Introduction toThe Jews in America, ed. David Cohen (San Francisco: Collins, 1989), 11.Google Scholar

Copyright information

© Haifa University Press 1994

Authors and Affiliations

  • Stephen J. Whitfield
    • 1
  1. 1.Brandeis UniversityUSA

Personalised recommendations