Abstract
This paper illustrates the use of pixelated structures as a compositional medium. In this medium, compositions are constructed from parts that are very simple. Methods to generate a design vocabulary from these parts, and establish relationships between parts to construct compositions are brought together in the framework of formal languages. Finally, examples of compositions developed in this medium are presented.
This is a preview of subscription content, log in via an institution to check access.
Similar content being viewed by others
References
Baer A, Eastman C, Henrion M (1977) A Survey of Geometric Modeling. Institute of Physical Planning Rep 60, Pittsburgh
Codd EF (1968) Cellular Automata. Academic Press, New York
Eastman CM, Henrion M (1976) GLIDE: Language for a Design Information System. Institute of Physical Planning, Carnegie Mellon University, Pittsburgh
Farmer D, Toffoli T, Wolfram S (1984) Cellular Automata. Physica 10D, North Holland Publishing Co., Amsterdam
Fischer J (1979) Threads of Tradition: Textiles of Indonesia and Sarawak, The University of California, Berkeley
Lambert S (1984) Reading Drawings. Pantheon Books, New York
Lee EW (1983) The Aura of Neo-Impressionism. Indiana University Press
Leymarie J (1955) Impressionism After 1873. Editions d'Art Albert Skira
Makkuni R (1985) Experiments on a Grid, M. Arch thesis. University of California, Los Angeles
Mandelbrot B (1983) The Fractal Geometry of Nature. WH Freeman & Co., San Francisco
March L (1976) The Architecture of Form. Cambridge University Press, Cambridge
Mitchell WJ (1977) Computer Aided Architectural Design. Petrocelli Charter, New York
Mitchell WJ (1985) Computational Foundations of Architecture. Seminar at the University of California, Los Angeles
Ponente N (1960) Klee. Editions d'Art Albert Skira
Signac P (1899; 1964) D'Eugene Delacroix au neo-impressionnisme. Mirroirs de l'art sents, edited by F. Cachin, Paris
Smith AR (1984) Plants, Fractals & Formal Languages. SIGGRAPH 84, Computer Graphics 18 (3)
Steadman P (1973) Graph-Theoretic Representation of Architectural Arrangement. Architectural Research and Teaching, Vol. 2. No. 3
Steadman P (1975) Biological Analogy in Architecture and Design, Ph. D. thesis. University of Cambridge. Cambridge
Stiny G, Gips J (1972) Shape Grammars and the Generative Specification of Paintings and Sculpture. Inf Proc 71:1460–1465
Wolfram S (1984) Universality and Complexity in Cellular Automata. Physica D 10, North Holland Physics Publishing Co., Amsterdam pp 1–35
Wolfram S (1984) Computation Theory of Cellular Automata. Communications of Mathematical Physics 96 (15) Springer-Verlag
Paintings (1884–1932)
Cross, K. (1893) Ponte San Trovaso, Venice. Oil Painting, Rijksmuseum Kroller-Muller, Otterlo, Holland.
Klee, P. (1931) Portal of a mosque. Water color painting, Ralph F. Colin Collection, New York.
Klee, P. (1931) Outside Colorful Life. Water color painting, Private Collection, Belp, Switzerland.
Klee, P. (1932) Ad Parnassum. Oil painting, Kunstmuseum, Bern.
Matisse, H. (1904) Study for “Luxe, Calme et Volupte”. Oil Painting, John Hay Whitney collection, New York.
Seurat, G. (1884) Sketch for “La Grande Jatte”. Oil Painting, Metropolitan Museum of Art, New York.
Seurat, G. (1886) A Sunday Afternoon on the Island of La Grande Jatte. Oil Painting, Art Institute of Chicago.
Seurat, G. (1887) Model Seen from Behind. Oil Painting, Louvre, Paris.
Signac, G. (1886) The Sein at les Andleys. Oil Painting, Private Collection, Paris.
Author information
Authors and Affiliations
Rights and permissions
About this article
Cite this article
Makkuni, R. Pixelated structures as a compositional medium. The Visual Computer 2, 243–254 (1986). https://doi.org/10.1007/BF01900348
Issue Date:
DOI: https://doi.org/10.1007/BF01900348