Skip to main content
Log in

A creative arts approach to computer programming

  • Published:
Computers and the Humanities Aims and scope Submit manuscript

Abstract

This paper describes how the creative arts can provide an alternative approach to computer programming that may benefit students in the humanities in general. It focuses on creative arts projects using text, graphics and music that allow students to encounter the same programming concepts from a number of different perspectives. It also discusses the importance of symbolic programming for the arts and how the creative arts can provide a particularly rich environment for developing approaches to object-oriented programming.

This is a preview of subscription content, log in via an institution to check access.

Access this article

Price excludes VAT (USA)
Tax calculation will be finalised during checkout.

Instant access to the full article PDF.

Similar content being viewed by others

References

  • Ableson, Harold. Apple LOGO. Peterborough, NH: BYTE/McGraw-Hill, 1982.

    Google Scholar 

  • Ableson, Harold and Andrea diSessa. Turtle Geometry: The Computer as a Medium for Exploring Mathematics. Cambridge, MA: MIT Press, 1981.

    Google Scholar 

  • Bamberger, Jeanne. The Terrapin Music Logo Source Book. Cambridge, MA: Terrapin Inc., 1986.

    Google Scholar 

  • Goldenberg, E. Paul, and Wallace Feurzeig. Exploring Language with LOGO. Cambridge, MA: MIT Press, 1987.

    Google Scholar 

  • Harvey, Brian. Computer Science Logo Style, Vol. I. Cambridge, MA: MIT Press, 1985.

    Google Scholar 

  • Harvey, Brian. Computer Science Logo Style, Vol. II. Cambridge, MA: MIT Press, 1986.

    Google Scholar 

  • Harvey, Brian. Computer Science Logo Style, Vol. III. Cambridge, MA: MIT Press, 1987.

    Google Scholar 

  • Krakowsky, Philippe, ed. Object LOGO Reference Manual. Cambridge, MA: Coral Software Corp., 1986.

    Google Scholar 

  • Papert, Seymour. Mindstorms: Children, Computers and Powerful Ideas. New York, NY. Basic Books, Inc., 1980.

    Google Scholar 

  • Solomon, Cynthia, Margaret Minsky and Brian Harvey. LOGO Works. New York, NY: McGraw-Hill, 1986.

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Additional information

Gary Greenberg received his B. A. and M. A. in Music from Stanford University and his Ph.D. in Music from Harvard University. His activities include creating compositional programming environments (Composing with Performer Objects, The Proceedings of the 1988 International Computer Music Conference) and developing ways of using the computer to learn about music through compositional activities (Music Learning-Compositional Thinking). He is currently manager of the Northwestern University Advanced Technology Group where he coordinates the Computer Media Studio and is exploring ways to use computer multimedia in instruction and research.

Rights and permissions

Reprints and permissions

About this article

Cite this article

Greenberg, G. A creative arts approach to computer programming. Comput Hum 25, 267–273 (1991). https://doi.org/10.1007/BF00120962

Download citation

  • Issue Date:

  • DOI: https://doi.org/10.1007/BF00120962

Key Words

Navigation