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Kantorowicz indirectly critiques Schmitt and reinvigorates the notion of political theology. The erudition of this text and its fusing of literature, art, religion and law is a spring board for much interdisciplinary legal scholarship.
From a Lacanian perspective Mitchell sees that some symbolic images act as the father figure, which authorise and command the viewer, like the image of a God, for example .
Starobinksi argues that Reason was the new “idol” for the “solar myth” of sovereignty.
Apostolides argues that the effigy of the king was directly replaced by the allegories of Liberty, Fraternity and Equality and other abstractions of legal philosophy . As Ribner points out too, as early as 1793 there was a conscious decision to replace the images of monarchical authority as opposed to mere iconoclasm. An example apt here is France’s Constitution which was treated as a cult object, enclosed in a cedar ark during the Festival of Unity and Indivisibility, August 10 1793 .
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Watts, O. Michael Stolleis: The Eye of the Law: Two Essays on Legal History. Int J Semiot Law 25, 439–444 (2012). https://doi.org/10.1007/s11196-011-9249-2