Neohelicon

, Volume 39, Issue 2, pp 305–319 | Cite as

Writing in secret: kabbalistic language mysticism and messianic teleology in lettrism

Article
  • 157 Downloads

Abstract

The article addresses the influence of Jewish mysticism, Kabbalah, and messianism in the avant-garde movement lettrism. The poetic experiments of Jewish avant-gardists were often influenced by Kabbalah and this study focuses on the theme of secrecy and its manifestations in writing. Lettrism adopts the elements of the so-called kabbalistic secret writing, which resembles written language but is fundamentally opaque. The secret thus hidden is at once linguistic and ontological. Therefore, the secret is here analysed both as a medial and an ontological opening, which dispel the dualisms recurring in rational modes of thinking. Hence, the secret appears as a manifestation of a cognitive void. Even though the secret cannot be known, it resides at the temporal limits of the phenomenal world and includes a teleological vector. This vector implies that the secret is entwined in a messianic promise according to which language will eventually signify and mediate meaning.

Keywords

Lettrism Secrecy Kabbalah-influenced art theory Mysticism Messianism Isidore Isou 

Notes

Acknowledgments

This article is a part of the project “Literature, Transcendence, Avant-Garde” (SA 1121211), funded by the Academy of Finland.

References

  1. Abulafia, A. (2009). La vie du monde à venir. Roquevaire: Éditions Lahy.Google Scholar
  2. Aichele, P. K. (2002). Paul Klee’s pictorial writing. Cambridge: Cambridge University Press.Google Scholar
  3. Almond, I. (2003). Derrida and the secret of the non-secret: On respiritualising the profane. Literature & Theology, 17(4), 457–471.CrossRefGoogle Scholar
  4. Bader, G. (2006). Die Emergenz des Namens: Amnesie, Aphasie, Theologie. Tübingen: Mohr Siebeck.Google Scholar
  5. Bouretz, P. (2003). Témoins du futur. Philosophie et messianisme. Paris: Gallimard.Google Scholar
  6. Caputo, J. D. (2003). Without sovereignty, without being: Unconditionality, the coming God and Derrida’s democracy to come. Journal for Cultural and Religious Theory, 4(3), 9–26.Google Scholar
  7. Codrescu, A. (2001). An involuntary genius in America’s shoes (and what happened afterwards). Boston: Black Sparrow Press.Google Scholar
  8. Dan, J. (1997). The Christian Kabbalah: Jewish mystical books & their Christian interpreters. Harvard: Houghton Library of the Harvard College Library.Google Scholar
  9. Derrida, J. (1993). Passions. Paris: Galilée.Google Scholar
  10. Devaux, F. (1996). De la création à la société paradisiaque. Isidore Isou et la pensée judaïque. Tome 1. Paris: Éditions du Christolien.Google Scholar
  11. Drucker, J. (1999). The alphabetic labyrinth. The letters in history and imagination. London: Thames and Hudson.Google Scholar
  12. Franke, W. (2007). On what cannot be said. Apophatic discourses in philosophy, religion, literature, and the arts. Volume 1: Classic formulations. Notre Dame: Notre Dame University Press.Google Scholar
  13. Gandelman, C. (1991). Reading pictures, viewing texts. Bloomington: Indiana University Press.Google Scholar
  14. Idel, M. (1988). The mystical experience in Abraham Abulafia. Albany: SUNY Press.Google Scholar
  15. Idel, M. (1991). Maïmonide et la mystique juive. Paris: Le Cerf.Google Scholar
  16. Idel, M. (1998). Messianic mystics. New Haven & London: Yale University Press.Google Scholar
  17. Idel, M. (2003). Hiéroglyphes, clés, énigmes. La vision de G.G. Scholem sur la kabbale: Entre Franz Molitor et Franz Kafka. Archaevs, 7(1–4), 269–289.Google Scholar
  18. Isou, I. (1947a). L’agrégation d’un nom et d’un messie. Paris: Gallimard.Google Scholar
  19. Isou, I. (1947b). Introduction à une nouvelle poesie et à une nouvelle musique. Paris: Gallimard.Google Scholar
  20. Isou, I. (1950). Les journaux des Dieux. Lausanne: Aux escaliers de Lausanne.Google Scholar
  21. Isou, I. (1967). Quelques anciens manifestes lettristes et esthapeiristes (1960–1963). Paris: Centre de Créativité.Google Scholar
  22. Isou, I. (1972). La Création divine, la transformation récente de l’église catholique et la révélation messianique. Lettrisme, 4(5).Google Scholar
  23. Isou, I. (1975). Critique de Mahomet et du Coran suivie de note supplémentaire sur Mahomet et le Coran et de critique des dirigeants actuels de l’État d’Israël. Paris: Centre International de Création Kladologique.Google Scholar
  24. Isou, I. (1990). Histoire du roman. Des origines au roman hypergraphique et infinitésimal (19441989). Tome 1. Paris: Publications EDA.Google Scholar
  25. Isou, I. (1998). Mémoires sur les forces futures des arts plastiques et sur leur mort. Paris: Cahiers de l’Externité.Google Scholar
  26. Isou, I. (2000). Amos ou Introduction à la metagraphologie. Paris: La Termitière.Google Scholar
  27. Isou, I. (2003). La créatique ou la novatique. Paris: Al Dante.Google Scholar
  28. Isou, I., Satié, A., & Bermond, G. (2000). La peinture lettriste. Paris: J.-P. Rocher.Google Scholar
  29. Kavka, M. (2004). Jewish messianism and the history of philosophy. Cambridge: Cambridge University Press.CrossRefGoogle Scholar
  30. Kilcher, A. (1998). Die Sprachtheorie der Kabbala als ästhetisches Paradigma. Die Konstruktion einer ästhetischen Kabbala seit der Frühen Neuzeit. Stuttgart & Weimar: Verlag J.B. Metzler.Google Scholar
  31. Levinas, E. (1994). Totalité et infini. Essai sur l’extériorité. Paris: Gallimard.Google Scholar
  32. Miller, J. H. (1977). The critic as host. Critical Inquiry, 3(3), 439–447.CrossRefGoogle Scholar
  33. Rajewsky, I. O. (2002). Intermedialität. Tübingen and Basel: A. Francke.Google Scholar
  34. Rajewsky, I. O. (2003). Intermediales Erzählen in der italienischen Literatur der Postmoderne. Tübingen: Narr.Google Scholar
  35. Rasula, J., & McCaffery, S. (Eds.). (2001). Imagining language: An anthology. Cambridge: Cambridge University Press.Google Scholar
  36. Sabatier, R. (1989). Le lettrisme. Nice: Z’éditions.Google Scholar
  37. Sjöberg, S. (2010a). The Jewish Shtetl Tradition in the Franco-Romanian Avant-Garde. The Case of Isidore Isou. In J. Nuorluoto & M. Könönen (Eds.), Europa—Evropa: Cross-cultural dialogues between the West, Russia, and Southeastern Europe (pp. 133–150). Uppsala: Uppsala University Press.Google Scholar
  38. Sjöberg, S. (2010b). Media on the edge of nothingness. Visual apostrophes in lettrism. In L. Elleström (Ed.), Media borders. Multimodality and intermediality (pp. 124–134). London: Palgrave MacMillan.Google Scholar
  39. Sjöberg, S. (2011). A book about nothing. The poetics of the Roman Blanc. Literature and Theology, 25(2), 185–198.CrossRefGoogle Scholar
  40. Taylor, M. C. (1990). Tears. Albany: SUNY Press.Google Scholar
  41. Wolfson, E. R. (2000). Abraham Abulafia—Kabbalist and Prophet: Hermeneutics, Teosophy, and Theurgy. Culver City: Cherub Press.Google Scholar
  42. Wolfson, E. R. (2006). Secrecy, modesty, and the feminine: Kabbalistic traces in the thought of Levinas. Journal of Jewish Thought and Philosophy, 14(1), 193–224.CrossRefGoogle Scholar
  43. Wolosky, S. (1995). Language mysticism. The negative way of language in Eliot, Beckett, and Celan. Stanford: Stanford University Press.Google Scholar

Copyright information

© Akadémiai Kiadó, Budapest, Hungary 2012

Authors and Affiliations

  1. 1.University of HelsinkiHelsinkiFinland

Personalised recommendations