Advertisement

Children's Literature in Education

, Volume 44, Issue 3, pp 208–221 | Cite as

Maurice Gee’s Brilliant Borrowings of Maurice Gee and Significant Others: Realism and Postmodernism in Gee’s Books for Children and Adults

  • Vivien van Rij
Original Paper
  • 321 Downloads

Abstract

This paper examines the work of one of New Zealand’s most acclaimed writers, Maurice Gee, and the use of his children’s fiction as an experimental ground for postmodernist techniques further developed in his writing for adults. In particular, it considers Gee’s borrowings of his own and others’ non-fictional and fictional material, to produce richly literary, historical novels. The paper argues that realist and postmodernist features are woven into the children’s and adult books, but that the balance is differently skewed in each. It thus addresses an area largely atypical of the children’s novel, but one that should be of concern to children’s literature critics.

Keywords

Maurice Gee Realism Postmodernism Parody Pastiche Intertextuality 

References

  1. Abrams, M.H. (1985). A Glossary of Literary Terms. Orlando: Harcourt Brace Jovanovich.Google Scholar
  2. Baigent, L.E.H. (1957). An Early Incident. Journal of the Nelson Historical Society, 1(2), 14–15.Google Scholar
  3. Gee, Maurice. (1986). The Fire-Raiser. Auckland: Puffin Books.Google Scholar
  4. Gee, Maurice. (1978). Nelson Central School: A History. Nelson: Nelson Central School Centennial Committee.Google Scholar
  5. Gee, Maurice. (1987). Prowlers. London: Faber and Faber.Google Scholar
  6. Hutcheon, Linda. (1989). A Poetics of Postmodernism: History, Theory, Fiction. London: Routledge.Google Scholar
  7. Hutcheon, Linda. (1985). A Theory of Parody: The Teachings of Twentieth-Century Art Forms. London: Methuen.Google Scholar
  8. Keats, John. (1990/1818). Endymion. In Elizabeth Cook (Ed.). John Keats: A Critical Edition of the Major Works (pp. 60-163). Oxford: Oxford University Press.Google Scholar
  9. Longfellow, H. W. (1888/1839). Hyperion. In The Prose Works of H. W. Longfellow: Outre-Mer, Hyperion and Kavanagh (pp. 171–320). London: Cassell.Google Scholar
  10. Mann, Shonadh. (1977). F. G. Gibbs: His Influence on the Social History of Nelson, 18901950. Nelson: The Nelson Historical Society.Google Scholar
  11. Milton, John. (2000/1667). Paradise Lost. London: Penguin Books.Google Scholar
  12. O’Brien, Gregory. (1988). Moments of Invention: Portraits of 21 New Zealand Writers (pp. 112–118). Auckland: Heinemann Reed.Google Scholar
  13. Our Empire Day. (1917). Held in Maurice Gee’s files at the Arthur Turnbull Library. Wellington, New Zealand: Molesworth Street.Google Scholar
  14. Shakespeare, William. (1989/1623). Cymbeline. In Howard Staunton (Ed.), The Complete Illustrated Shakespeare (Vol. II, pp. 705–71). Bombay: Lalvani Publishing House.Google Scholar
  15. Shelley, Percy. (n.d./1819). Song to the Men of England. In The Literature Network. Retrieved from 23 September 2011, from http://www.online-literature.com/shelley_percy/673/
  16. Van Rij, Vivien. (2003). Interview with Maurice Gee. Unpublished, Wellington.Google Scholar
  17. Welch, Dennis. (2001, May 12). Gee Gee: Maurice Gee’s Brilliant Plagiarisms of Maurice Gee. New Zealand Listener, pp. 58–9.Google Scholar
  18. Williams, Mark. (1990). Leaving the Highway: Six Contemporary New Zealand Novelists. Auckland: Auckland University Press.Google Scholar

Copyright information

© Springer Science+Business Media New York 2012

Authors and Affiliations

  1. 1.Faculty of Education, Victoria University of WellingtonWellingtonNew Zealand
  2. 2.WellingtonNew Zealand

Personalised recommendations