Pictures in Pictures: Art History and Art Museums in Children’s Picture Books
- 1k Downloads
- 2 Citations
Abstract
Children’s picture books that recreate, parody, or fictionalize famous artworks and introduce the art museum experience, a genre to which I will refer as “children’s art books,” have become increasingly popular over the past decade. This essay explores the pedagogical implications of this trend through the family program “Picture Books and Picture Looks” conducted at the Art Institute of Chicago. Program sessions were observed to learn the extent to which picture books featuring the painting A Sunday on La Grande Jatte—1884 (Seurat) informed and impacted children’s experiences with the original artwork. The books Katie’s Sunday Afternoon (Mayhew, 2005), Babar’s Museum of Art (De Brunhoff, 2003), and Willy’s Pictures (Browne, 2000) provided the foundation for the program. In addition to these three books, The Dot (Reynolds, 2003), which does not include a reference to La Grande Jatte (Seurat, 1884–1886), acted as a “control” variable. This research demonstrates that while most picture books can be used to establish a level of comfort in an environment that is new to children, those that directly referenced the painting provided a base level of knowledge from which children could confidently draw upon encountering the original work. The research further indicated that, when used in conjunction with original artworks, children’s art books provide unique and distinct entry points for talking about art. The inclusion of artwork in children’s picture books elicits an enthusiasm and recognition that enhances the museum experience, and such books can be effective tools for enabling reflective, imaginative experiences with art.
Keywords
Picture books Art history Intertextuality Intervisuality Imagination Parody Frame-breakingReferences
- Beckett, Sandra (Ed.). (1999). Transcending Boundaries: Writing for a Dual Audience of Children and Adults. New York: Garland.Google Scholar
- Beckett, Sandra. (2001). Parodic Play with Paintings in Picture Books. Children’s Literature, 29, 175–195.CrossRefGoogle Scholar
- Beckett, Sandra. (2010). Artistic Allusions in Picturebooks. In T. Colomer, B. Kummerling-Meibauer and C. Silva-Díaz (Eds.), New Directions in Picturebook Research (pp. 83–98). New York: Routledge.Google Scholar
- Browne, Anthony. (2000). Willy’s Pictures. Somerville: Candlewick.Google Scholar
- De Brunhoff, Laurent. (2003). Babar’s Museum of Art. New York: Harry N. Abrams.Google Scholar
- Eckhoff, Angela, & Guberman, Steven. (2006). Daddy Daycare, Daffy Duck, and Salvador Dali: Popular Culture and Children’s Art Viewing Experiences. Art Education, 59(5), 19–24.Google Scholar
- Falconer, Ian. (2000). Olivia. New York: Atheneum/Anne Schwartz Books.Google Scholar
- Greene, Maxine. (1995). Releasing the Imagination: Essays on Education the Arts and Socialchange. San Francisco: Jossey Press.Google Scholar
- Harper, Rachel. (2010). Personal Interview, 6 Nov 2010.Google Scholar
- Hein, George. (1998). Learning in the Museum. New York: Routledge.Google Scholar
- Mayhew, James. (2005). Katie’s Sunday Afternoon. London: Orchard Books.Google Scholar
- Mayhew, James. (2011). Email Interview, 29 Mar 2011.Google Scholar
- Mitchell, Florence S. (1990). Introducing Art History Through Children’s Literature. LanguageArts, 67(8), 839–846.Google Scholar
- Nodelman, Perry. (2010). Worlds Claimed: Picturebook Narratives and the Project of Children’s Literature. In T. Colomer, B. Kummerling-Meibauer and C. Silva-Díaz (Eds.), New Directions in Picturebook Research (pp. 11–26). New York: Routledge.Google Scholar
- Pinkney, Jerry. (2009). The Lion and the Mouse. New York: Little, Brown and Company.Google Scholar
- Pollock, Jackson. (1912–1956). Autumn Rhythm—1950 (Number 30). New York: Metropolitan Museum of Art.Google Scholar
- Reynolds, Peter. (2003). The Dot. Cambridge: Candlewick.Google Scholar
- Seurat, Georges. (1884–1886). A Sunday on La Grande Jatte—1884. Chicago: Art Institute of Chicago.Google Scholar
- Sipe, Lawrence. (2001). Using Picturebooks to Teach Art History. Studies in Art Education, 42(3), 197–213.CrossRefGoogle Scholar
- Wiesner, David. (1991). Tuesday. New York: Clarion.Google Scholar