Integrative music of the Lambdoma

Presented at The Pavlovian Society’s Plenary Session, October 1, 1999
Papers

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

References

  1. Dragmanli von, D. and Berger, L. (1997). Strawberry hills forever—Barbara Hero und die strawbery hill farm. In L. Berger (ed.), Musik, magie & medizin, neue wege zu harmonie und heilung. Junfemann Verlag, Germany: Paderborn.Google Scholar
  2. Haase, R. (1985). Natur-geist-seele harmonik und metaphysik des quadratischen und des runden Lambdoma. Wein, Austria: Braumuller.Google Scholar
  3. Hero, B. (1999). The Lambdoma matrix and harmonic intervals, the physiological and psychological effects on human adaptation from combining math and music.IEEE Engineering in Medicine and Biology Magazine 18: 61–73.PubMedCrossRefGoogle Scholar
  4. Hero, B. (1997). Some effects of whole number ratio intervals in music. In D.J. and J.K. Schneck (eds.),Music in Human Adaptation. Roanoke, VA: Polytechnic Institute and State University.Google Scholar
  5. Hero, B. (1998). Eyes +ears=ideas. http://www.lambdoma.com.Google Scholar
  6. Hero, B. (1996). Glass bead and knot theory of relationships. Maine: Strawberry Hill Farm Studios Press.Google Scholar
  7. Hero, B. (1995). Healing with sound, Caduceus Journal 23: 12–15.Google Scholar
  8. Hero, B. (1995). A brief history of the Lambdoma. Xenharmonikon 16: 104–113.Google Scholar
  9. Hero, B. (1994). The Lambdoma, resonant, harmonic scale (p, q, r, s, t, u, v and w). Maine: Strawberry Hill Farm Studios Press.Google Scholar
  10. Hero, B. (1993). Lambdoma unveiled (the theory of relationships) second edition. Maine: Strawberry Hill Farm Studios Press.Google Scholar
  11. Hero, B. (1987). International harmony based upon a music of planetary grid systems. In D.H. Childress (ed.), Anti-gravity and the world grid. Stelle, IL: Adventures Unlimited Press.Google Scholar
  12. Hero, B. (1978). Drawings based on laser Lissajous figures and the Lambdoma diagram. Leonardo 11: 301–303.CrossRefGoogle Scholar
  13. Hero, B. (1975). Paintings based on relative pitch in music. Leonardo 8: 13–19.CrossRefGoogle Scholar
  14. Kayser, H. (1950). Lehrbuch der harmonik geschwister ziegler. Winterthur, Switzerland.Google Scholar
  15. Levairie, S. and Levy, E. (1968). Tone: a study in musical acoustics. Kent, OH: Kent State University Press.Google Scholar
  16. McClain, E. (1978). The Pythagorean Plato, prelude to the song itself. New York: Nicholas Hays Limited.Google Scholar
  17. Thimus von, A. (1868–76). Harmonikale symbolik des altherthums, volume II. Koln.Google Scholar

Copyright information

© Springer 2000

Authors and Affiliations

  1. 1.International Lambdoma Research Institute (ILRI)Wells
  2. 2.Strawbery Hill Farm StudiosWells

Personalised recommendations