International Journal of the Classical Tradition

, Volume 2, Issue 2, pp 219–237

Neptune in classical and Renaissance visual art

  • Luba Freedman

DOI: 10.1007/BF02678622

Cite this article as:
Freedman, L. International Journal of the Classical Tradition (1995) 2: 219. doi:10.1007/BF02678622


Renaissance renderings of Neptune differ from the Greek and Roman models. As a rule, Renaissance artists followed classical conventions in depicting Olympian deities in the nude, and preserved the main attributes of the particular god. Yet in reviving the monumental image of Neptune, Renaissance artists did not have any definite classical model to imitate. While retaining the statuesque image of Neptune, they deliberately deprived him of the grandeur and majesty which normally characterizes an Olympian deity. This manifests itself in their giving Neptune an expressive face, making him perform the gesture of a mortal ruler, and likening him to Hercules.

Copyright information

© Springer 1999

Authors and Affiliations

  • Luba Freedman
    • 1
  1. 1.Department of the History of Art, Institute of Arts and LettersThe Hebrew University of JerusalemJerusalemIsrael

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