Advertisement

Axiomathes

, Volume 6, Issue 2, pp 227–249 | Cite as

Fenomenologia, coscienza del tempo e analisi musicale

  • Augusto Mazzoni
Fenomenologia Della Musica Negli Stati Uniti
  • 50 Downloads

Abstract

This paper explores the relationships between American phenomenology of music and conventional studies of musical analysis. The temporality of experience is a central topic in the phenomenology of music: recent research in USA has focused on musical time-consciousness (Schutz and Smith) or on analytical applications (Clifton, Lochhead, Ferrara). Many methods of musical analysis, like phenomenological methods, are concerned to study subjective temporal structures: Schenkerian and post-Schenkerian scholars (Salzer, Meyer, Narmour, Lewin) have elaborated specific systems for the explanation of musical form on a experiential basis. Apart from any comparison with the different approaches, phenomenological analysis appears to be fundamental for the analytical interpretation of music.

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

Bibliografia

  1. [AAVV 1989]
    AAVV,Understanding the Musical Experience, Gordon and Breach, New York.Google Scholar
  2. [Clifton 1976]
    T. Clifton, “Music as Constituted Object”,Music and Man, II/1–2, 73–98.Google Scholar
  3. [Clifton 1983]
    T. Clifton,Music as Heard: A Study in Applied Phenomenology, Yale University Press, New Haven.Google Scholar
  4. [Cook 1987]
    N. Cook,A Guide for Musical Analysis, J. M. Dent and Sons, London, tr. it. di D. Gulli e M. G. Sità,Guida all'analisi musicale, Guerini e Associati, Milano 1991.Google Scholar
  5. [Dreyfus e Hall 1982]
    H.L. Dreyfus e H. Hall,Husserl, Intentionality, and Cognitive Science, The MIT Press, Cambridge.Google Scholar
  6. [Ferrara 1991]
    L. Ferrara,Philosophy and the Analysis of Music, Excelsior Music Publishing Co.Google Scholar
  7. [Forte e Gilbert 1982]
    A. Forte e S. Gilbert,Introduction to Schenkerian Analysis, Norton, New York.Google Scholar
  8. [Husserl 1950]
    E. Husserl, Ideen zu einen reinen Phänomenologie und phänomenologischen Philosophie, Erstes Buch, Husserliana, Band III, Martinus Nijhoff, Den Haag, tr. it. di G. Alliney ed E. Filippini,Idee per una fenomenologia pura e per una filosofia fenomenologica, Einaudi, Torino 1976.Google Scholar
  9. [Jonas 1934]
    O. Jonas, Einführung in die Lehre Heinrich Schenkers, Universal, Wien, tr. ingl.Introduction to the Theory of Heinrich Schenker, Longman, New York 1982.Google Scholar
  10. [Lewin 1986]
    D. Lewin, “Music Theory, Phenomenology, and Modes of Perception”,Music Perception, III/4.Google Scholar
  11. [Lochhead 1986]
    J. Lochhead, “Temporal Structure in Recent Music”,Journal of Musicological Research, VI/1–2, pp. 49–93, ora in [AAVV 1989], 121–165.Google Scholar
  12. [Meyer 1973]
    L.B. Meyer,Explaining Music, University of Chicago Press, Chicago, tr. it parziale in L. Marconi e G. Stefani,Il senso in musica, CLUEB, Bologna 1987.Google Scholar
  13. [Narmour 1977]
    E. Narmour,Beyond Schenkerism, University of Chicago Press, Chicago.Google Scholar
  14. [Pike 1970]
    A. Pike,A Phenomenological Analysis of Musical Experience and Other Related Essays, St. John's University Press, New York.Google Scholar
  15. [Salzer 1962]
    F. Salzer,The Structural Hearing, Dover, New York.Google Scholar
  16. [Schutz 1964]
    A. Schutz,Making Music Together: A Study in Social Relationship, inCollected Papiers II: Studies in Social Theory, Martinus Nijhoff, The Hague, 159–178.Google Scholar
  17. [Schutz 1970]
    A. Schutz,Reflections on the Problem of Relevance, Yale University Press, New Haven and London, tr. it. di G. Riconda,Il problema della rilevanza, Rosenberg & Sellier, Torino 1975.Google Scholar
  18. [Schutz 1976]
    A. Schutz, “Fragments on the Phenomenology of Music”,Music and Man, II/1–2, 23–71.Google Scholar
  19. [Skarda 1979]
    C.A. Skarda, “Alfred Schutz's Phenomenology of Music”,Journal of Musicological Research, III/1–2, pp. 75–132, ora in [AAVV 1989], 43–100.Google Scholar
  20. [Smith 1979]
    F.J. Smith,The Experiencing of Musical Sound, Gordon and Breach, New York.Google Scholar

Copyright information

© Centro Studi per la Filosofia Mitteleuropea 1993

Authors and Affiliations

  • Augusto Mazzoni
    • 1
  1. 1.Brescia

Personalised recommendations