Abstract
As everyone knows, Pride and Prejudice was first composed as an epistolary novel, and in that form, its title was First Impressions. It is the story of two protagonists who, through various shades of pride and prejudice, retain their first, inaccurate impressions of one another long after those initial judgments should have been adjusted or discarded. The best sociological analyst of first impressions is Erving Goffman, who addresses the topic in his first book, The Presentation of Self in Everyday Life, where he observes that first impressions are not just important, but crucial: “When the interaction that is initiated by ‘first impressions’ is itself merely the initial interaction in an extended series of interactions involving the same participants, we speak of ‘getting off on the right foot’ and feel that it is crucial that we do so.”1 If we get off on the wrong foot, as Elizabeth and Darcy certainly do, “all the participants may come to feel ill at ease, nonplussed, out of countenance, embarrassed, experiencing the kind of anomy that is generated when the minute social system of face-to-face interaction breaks down” (PS, 12). Such reactions characterize much of the first half of Pride and Prejudice, all the way through Darcy’s letter of explanation.
I have always seen a great similarity in the turn of our minds. We are each of an unsocial, taciturn disposition, unwilling to speak, unless we expect to say something that will amaze the whole room, and be handed down to posterity with all the eclat of a proverb. (PP, 91)
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Notes
Erving Goffman, The Presentation of Self in Everyday Life (New York: Doubleday, 1959), p.11–12, hereafter PS.
Charles Lemert and Ann Branaman, eds., The Goffman Reader (Oxford: Blackwell, 1977), p. 246, hereafter GR.
Erving Goffman, Frame Analysis (Boston: Northeastern UP, 1986), p. 13, hereafter FA.
For a discussion of the theme of performance in Pride and Prejudice, see Robert Heilman’s splendid essay, “E Puribus Unum: the Parts and Whole of Pride and Prejudice,” in John Halperin, ed., Jane Austen, Bicentenary Essays (Cambridge: Cambridge UP, 1975), pp. 123–43. Howard Babb also places performance at the center of the novel in Jane Austen’s Novels: The Fabric of Dialogue (Columbus: Ohio State UP, 1962), pp. 125–7.
Erving Goffman, Interaction Ritual (New York: Pantheon, 1982), p. 116, hereafter IR.
Goffman, Behavior in Public Places (New York: Free Press, 1966), pp. 194 and 244, hereafter BPP.
Compare this distinction between the particular rule of conduct and its ethical form with Penelope Joan Frizer, whose Jane Austen and Eighteenth-Century Courtesy Books (Westport: Greenwood P, 1997), offers a conventional contextual, social-historical approach, using contemporary texts to check, measure, and mark the range of practices indicated in Austen’s fiction.
A much more successful wedding of Austen and social history can be found in Hazel Jones, “Jane Austen and Marriage (London: Continuum, 2009).
For an excellent historical overview of late-eighteenth-century sociality, see Gillian Russell’s essay on “Sociability” in Edward Copeland and Juliet McMaster, eds, The Cambridge Companion to fane Austen (Cambridge: Cambridge UP, 2011), pp. 176–91.
Erving Goffman, Stigma (New York: Simon and Schuster, 1986), pp. 2–3.
Erving Goffman, Relations in Public (New Brunswick: Transaction P, 2010), p. 24, hereafter RP.
Ian Watt, The Rise of the Novel (Berkeley: U of California P, 1957), p. 175.
Geoffrey Hartman, Wordsworth’s Poetry1181–1814 (New Haven: Yale UP, 1964).
Reuben Brower, Fields of Light (Cambridge: Harvard UP, 1951), pp. 172 and 174.
Gerald Bruns, Inventions, Writing, Textuality, and Understanding in Literary History (New Haven: Yale UP, 1982), pp. 112 and 115
Darrel Mansell, The Novels of fane Austen, (London: Macmillan, 1973), pp. 7–12.
Susan Morgan, In the Meantime, Character and Perception in fane Austen’s Fiction (Chicago: U of Chicago P, 1980), p. 4
J. M. Bernstein, The Philosophy of the Novel (Minneapolis: U of Minnesota P, 1984), p. xix.
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© 2015 James Thompson
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Thompson, J. (2015). Pride and Prejudice, Goffman, and Strategic Interaction. In: Jane Austen and Modernization. Palgrave Macmillan, New York. https://doi.org/10.1057/9781137491152_4
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DOI: https://doi.org/10.1057/9781137491152_4
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