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Caroline Bergvall’s Poetics of the Infrathin

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Modernist Legacies

Part of the book series: Modern and Contemporary Poetry and Poetics ((MPCC))

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Abstract

Presenting Caroline Bergvall’s poetics of the infrathin is both an obvious gesture in a book that explores contemporary poetry through the lens of its relation to modernism, and also a difficult gesture in more ways than one because Bergvall is an in-between: her work traffics on borders and barriers. For instance, her work is characterized by multilingualism/translingualism, though this cannot sum up her work; she is rather well known though she is not a mainstream poet; she spends a lot of time between London and the United States with whose poets she is closely associated.

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Notes

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  2. Iain Sinclair Conductors of Chaos (London: Picador, 1996); Marjorie Perloff, Unoriginal Genius: Poetry by Other Means in the New Century (Chicago: University of Chicago Press, 2010), 129–136.

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Authors

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Abigail Lang David Nowell Smith

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© 2015 Abigail Lang and David Nowell Smith

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Broqua, V. (2015). Caroline Bergvall’s Poetics of the Infrathin. In: Lang, A., Smith, D.N. (eds) Modernist Legacies. Modern and Contemporary Poetry and Poetics. Palgrave Macmillan, New York. https://doi.org/10.1057/9781137488756_9

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